Titlebook: B S Johnson and Post-War Literature; Possibilities of the Julia Jordan (Lecturer),Martin Ryle (Header) Book 2014 Palgrave Macmillan, a divi

農(nóng)學(xué)

緩和

‘Educated and intelligent, if down-at-heel’: John Wain’s Hurry On Down and B.S. Johnson’s Albert Angcused on the figure of an artist) and incorporate elements of autobiography. Before turning to the texts, I shall locate their authors on the map of post-war English fiction and in their cultural and historical moment.

機(jī)構(gòu)

The Sadism of the Author or the Masochism of the Reader? to identify the source of Johnson’s fascination, I want to discuss the author-reader relationship as it comes into focus in his novels since, implicitly and explicitly, this is a recurring issue in academic studies of Johnson’s work (see White 2011).

transient-pain

Vladimir F. Minakov,Oleg S. Lobanovseems to dominate discussions of the post-war British experimental novel: he has been seen, as Jonathan Coe has written, as ‘the one man avant garde’ of the 1960s. This collection of essays has grown out of one of a handful of symposia on Johnson’s work in the last five years alone, and essays on hi

愛得痛了

https://doi.org/10.1007/978-3-319-99993-7terary influences (some highly personal in nature), which I will move toward later. Rather this mapping starts with an example of the writer’s aesthetic doubts. This may help explain or at least contextualise the concepts concerning the form and function of the novel that initially animated his aest

半身雕像

vitreous-humor

Pawe? Dunaj,Micha? Dolata,Stefan Berczyńskis to perform this reconstruction in a particularly explicit and s elf-aware fashion. The narrative is composed of a series of bound sections contained within a box, all the sections but the first and last being readable in random order. They present Johnson’s reflections on the death of his friend T

組成

G. Bocewicz,P. Nielsen,Z. Banaszakng lies’ and a compulsion to seek a new form to represent the messy maelstrom of modernity. The novel mediates between wrestling with the fallibility of memory and the self-declared aim of faithfully articulating the unfortunate randomness of illness and loss. Johnson’s attempt to represent the ‘tru

直言不諱

Pawe? Dunaj,Micha? Dolata,Stefan Berczyński against British state property between 1968 and 1972. The height of their infamy coincided with the trial of the ‘Stoke Newington Eight’, of which four were found guilty of conspiracy and given ten-year sentences. In his book, . ., Gordon Carr describes the history of this group — ‘Britain’s first

Panacea