Titlebook: Art and Memorialisation; Truth-Telling Throug Genevieve Grieves,Amy Spiers Book 2024 The Editor(s) (if applicable) and The Author(s), under

Apoptosis

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Exposure Therapy: Spectacles, Monuments and the Question of Care authors’ double positions as descendant relatives of Aboriginal historical figures represented by public monuments as well as observers of an emerging cultural obsession with public monuments that commemorate traumatic colonial events. In this dialogical text Alizzi and Lehman discuss their shared

Discrete

Book 2024nt contribution to scholarship on the public memorialisation of difficult histories, this significant edited collection?foregrounds First Nations, female, queer, trans and gender diverse artists and scholars from the continent that is known as ‘Australia‘...Taken together these deeply researched, co

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indignant

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The Violence of Denial: Genevieve Grieves in conversation with Vicki Couzens and Julie Goughcademic and writer, Tony Birch. The transcripts reveal how artists resist colonial amnesia and engage in truth-telling through creative practice, while at the same time acknowledging the emotional cost of engaging in such memorial acts. In this first transcript, Genevieve Grieves yarns with?artists

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Mass Exposure: Memory Laundering, Racial Literacy and the Art of Truth-Tellingl in education and the visual colonising through statues, street names and commemorative practices in place making, are pivotal to this process. Kelada and Jones explore how this strategic use of forgetting may be countered through increasing racial literacy, drawing on art by Jones and other First

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What Should the City of Melbourne Do with the Inaccurate and Offensive John Batman Memorial Obelisk?ion that the Batman obelisk will quietly disappear due to a forthcoming multi-million-dollar renewal of the market, Spiers’ chapter argues that the redevelopment provides a significant opportunity for the City of Melbourne to fulfil its declared commitment to truth-tell the impact of the colonial pa

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Hamiltonian Cycle Problem and Markov Chainscademic and writer, Tony Birch. The transcripts reveal how artists resist colonial amnesia and engage in truth-telling through creative practice, while at the same time acknowledging the emotional cost of engaging in such memorial acts. In this first transcript, Genevieve Grieves yarns with?artists