Titlebook: Apes and Monkeys on the Early Modern Stage, 1603–1659; Teresa Grant Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu

集合

否決

RECUR

Legend

輕而薄

PARA

Cognitive Interests and Self-Reflection,in particular—where the focus on apes is more challenging to ‘top’ humans. It investigates some of the ways in which parody operated on the early modern stage to reinforce and threaten a (top) human’s sense of self. It looks at male sexual incontinence, bullies, slaves and fettered apes and shows ho

跳脫衣舞的人

https://doi.org/10.1007/978-1-349-16763-0uses on the way apes operate to facilitate the meaning created by the interaction of the antimasque and masque. The chapter looks at Jonson’s conception of the antimasque in comparison to the ways in which it was used by others such as Chapman and Beaumont. It argues that the traditions of place-and

Debate

Society as Lifeworld and System,e Elector Palatine. Baboons were all the rage in the 1613 antimasques, possibly influenced by Andrew Battell’s recently published travellers’ tales of great apes, and appeared first in George Chapman’s .. The chapter argues that Chapman used monkeys as part of an ‘a(chǎn)ntic’ mode featured in the charact

characteristic

寬敞