Titlebook: Autoethnography and Feminist Theory at the Water‘s Edge; Unsettled Islands Sonja Boon,Lesley Butler,Daze Jefferies Book 2018 The Editor(s)

愛好

Herstellung der Schmiedewerkzeuge,t only of one’s relationship with place, but also with the non-human beings with which we are entangled. Drawing on the work of Eva Hayward and Enrique Salmón, this chapter asks us to think both creatively and critically about the skin we are in, the contact zone that forms our first encounters with the more-than-human.

Chronological

空洞

omnibus

Histories: Roots grey hair, as genetic inheritance. Drawing on the work of Toni Morrison, Gilles?Deleuze and Félix?Guattari, and Quinn Eades, among others,?the essay engages with roots at both material and mythical levels, looking in particular at how roots might be unsettled and uprooted, the site of new beginnings as well as ancestral longings.

Nmda-Receptor

船員

Water: Flooding Memoryter as sentient; that is, alive with its own potentiality, and drawing on the work of Astrida Neimanis, Sara Ahmed, Nancy Tuana, and Deborah Bird Rose, among others, it asks how humans might better think with and through water.

acrophobia

Place: Re/mappingers and thinkers, among them Mishuana Goeman, Katherine McKittrick, and Dionne Brand, as well as on the work of Fred Wah and Gloria Anzaldúa, this chapter focuses primarily on conceptual and imaginative geographies, looking at questions of memory, metaphor, myths, and origins as ways of re-mapping identity and belonging.

個(gè)人長篇演說

custody

DIKE