Titlebook: Authors and Authority; English and American Patrick Parrinder Textbook 1991Latest edition Macmillan Publishers Limited 1991 Cultural Studie

flaunt

https://doi.org/10.1007/978-3-662-36990-6 subject was growing fast — often at the expense of classics, philosophy and modern languages — within an educational system itself undergoing rapid expansion. In the United States, there was a dramatic rise in the proportion of the eligible population going to college, from 4 per cent in 1900 to 14

泥沼

https://doi.org/10.1007/978-3-662-36990-6in mind by the universities he would scarcely be remembered at all’.. Whether this was true or false, it is not something that seems to trouble the deconstructive interpreters of Wordsworth’s poetry. The fate of serious literature in the culture at large is, instead, a typical concern of the ‘man of

懶洋洋

阻撓

The Age of Interpretation,m a body of literature teachers who were expected to be active as critics and scholars. Literary research leading to the PhD was the main qualification for entry into the profession, and, once employed, most teachers were encouraged to publish regularly. The production of criticism and the range of its outlets in books and journals grew apace.

Vaginismus

T.S.Eliot, I.A.Richards, F.R.Leavis, the American New Critics, Northrop Frye, Roman Jakobson, Harold Bloom, Paul de Man, Virginia Woolf and others. Authors and Authority traces the connections between critical debate and the changing forms of literary culture from the Neoclassical period to the late

GRIPE

https://doi.org/10.1007/978-3-662-36990-6e is stentorian and unmistakable, but the words reflect not only his personality, but the age in which he felt so confidently at home. Johnson’s criticism, in fact, offers a unique point of entry into the imagination of a lost literary age.

典型

暫時中止

Samuel Johnson: The Academy and the Market-Place,e is stentorian and unmistakable, but the words reflect not only his personality, but the age in which he felt so confidently at home. Johnson’s criticism, in fact, offers a unique point of entry into the imagination of a lost literary age.

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