Titlebook: Authority and Authorship in V.S. Naipaul; Imraan Coovadia Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 Autorschaft

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d resonate in postcolonial literature. Imraan Coovadia argues that the post-colonial societies Naipaul studies in novels such asA Bend in the RiverandGuerillasare defined by the fragility of their authority. Coovadia demonstrates through close reading, how Naipaul, born in Trinidad to an Indian fami

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裹住

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V. S. Naipaul and the Black Power Killings in Trinidad,s commune at Christina Gardens outside the capital of Port-of-Spain. The case, reported by V. S. Naipaul for the London . in 1972, was the fictionalized subject of Naipaul’s novel . (1975) as well as an expanded essay, “Michael X and the Black Power Killings in Trinidad” (1973–79).

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單色

ambivalence

Introduction Authorship and Authority,e key problem in V. S. Naipaul’s career, from his Caribbean comedies of the late 1950s and sub-Saharan fiction of the 1970s, through the travel writings and his more recent essays and narratives, including . (2004) and . (2007).

PALMY

V. S. Naipaul and the Black Power Killings in Trinidad,is use of a “slave collar” on London businessman Marvin Brown, went to the gallows in Trinidad for his part in the murders of a local, Joseph Skerritt, and the visiting Englishwoman Gale Ann Benson. The decomposing bodies of Skerritt and Benson had been dug up by the police from the garden of Malik’

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V. S. Naipaul and the Muslims,th that has occupied a good deal of Naipaul’s attention. His writings on the subject, like his depictions of sub-Saharan Africa and his pronouncements on Caribbean culture, have polarized his readership. Naipaul has devoted two separate books to Islam. The state of the religion in Muslim Asia is cha

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