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Titlebook: Artistic Research in Performance through Collaboration; Martin Blain,Helen Julia Minors Book 2020 The Editor(s) (if applicable) and The Au

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樓主: memoir
41#
發(fā)表于 2025-3-28 18:32:09 | 只看該作者
42#
發(fā)表于 2025-3-28 22:08:04 | 只看該作者
43#
發(fā)表于 2025-3-29 02:55:29 | 只看該作者
Field Programmable Logic and Applicationsicians when introduced by a member of the ensemble. The manner in which contemporary musicians have found ways to improvise these elements with a sense of ‘rightness’ is then discussed, using an ensemble of respected young British improvisers as a case study.
44#
發(fā)表于 2025-3-29 05:29:26 | 只看該作者
Multithreading for Logic-Centric Systemsood) and law specialist (Pavis) were involved. Working with professional disabled choreographers, the project investigated how legal frameworks supported (or not) the making of dance by these artists.
45#
發(fā)表于 2025-3-29 08:36:26 | 只看該作者
Hamish Fallside,Michael J. S. Smithre . draws attention to the intertwining of distinct disciplines, their identities synthesise in the second performance work, ., in which drawing and performance collapse together as dancer turns drawer through direct interaction with a material line.
46#
發(fā)表于 2025-3-29 11:24:50 | 只看該作者
Milena Císlerová,T. Vogel,J. Simunekers offers key impact potential that demonstrates research excellence, and being able to access a new body of knowledge and skills enriches and deepens the innovation portfolio of the cultural organisation.
47#
發(fā)表于 2025-3-29 16:19:48 | 只看該作者
48#
發(fā)表于 2025-3-29 22:21:11 | 只看該作者
The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Casicians when introduced by a member of the ensemble. The manner in which contemporary musicians have found ways to improvise these elements with a sense of ‘rightness’ is then discussed, using an ensemble of respected young British improvisers as a case study.
49#
發(fā)表于 2025-3-30 01:20:06 | 只看該作者
Creative Industries and Copyright: Research into Collaborative Artistic Practices in Danceood) and law specialist (Pavis) were involved. Working with professional disabled choreographers, the project investigated how legal frameworks supported (or not) the making of dance by these artists.
50#
發(fā)表于 2025-3-30 07:45:14 | 只看該作者
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