Titlebook: Art and the Challenge of Markets Volume 2; From Commodification Victoria D. Alexander,Samuli H?gg,Erkki Sev?nen Book 2018 The Editor(s) (if

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https://doi.org/10.1007/978-1-4020-5741-0five interrelated elements: the public aim or result of an activity; the broad addressees of the activity; the inclusive way the addressees are engaged in the activity—as creators or recipients of art; the social location of the activity—outside both the art world and public cultural institutions; and the civic qualities of the activity.

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Austin J. Pourmoussa,Ripal T. Gandhiide face of protest. In the contribution, the author reflects upon Artivism as an artistic practice and as a political practice. In line with the main theme of this book, the author also analyzes its link to the impacts of the global capitalist economy and the so-called market-based turn in society.

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Conversion and Neoadjuvant Therapiesnment culture, which has called this autonomy in question and, in part, suppressed it. The chapter clears up this developmental line and shows that the current hegemony of capitalist economy has also aroused critical resistance in contemporary art.

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Parenchymal-Sparing Liver?Resectionss a change in the very concept of art, and a transformation linked to this shift. Art is a part of culture, it shares the same spheres of action, and it is strictly connected to certain national symbols, in one way or another. However, is it possible to assume that as social actions art and culture share the same Weberian “motivation”?

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Capitalist Economy as a Precondition and Restraint of Modern and Contemporary Art Worldsnment culture, which has called this autonomy in question and, in part, suppressed it. The chapter clears up this developmental line and shows that the current hegemony of capitalist economy has also aroused critical resistance in contemporary art.