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Titlebook: Anti-Humanism in the Counterculture; Guy Stevenson Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

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樓主: intensify
11#
發(fā)表于 2025-3-23 13:29:18 | 只看該作者
12#
發(fā)表于 2025-3-23 14:16:02 | 只看該作者
Einführung in die Kostenrechnung New Yorker in Paris in the 1930s, and a writer whose sexual graphicness, Gnosticism and anarchistic politics made him a hero of the sexual and cultural revolution in the 1960s, Miller displayed a surprising affinity with anti-Romantic early modernists. On the cusp between modernism and the counterc
13#
發(fā)表于 2025-3-23 18:14:23 | 只看該作者
Die Entwicklungsformen der Kostenrechnung,res the dissonance between Romantic American and reactionary European impulses in the Beat Generation. It shows that a movement intended to revive Walt Whitman’s humanistic and democratic agenda was profoundly influenced by pessimistic modernist sources—from Louis-Ferdinand Céline to early twentieth
14#
發(fā)表于 2025-3-23 23:10:26 | 只看該作者
Einführung in die Krankenhaus-Kostenrechnung realist in its Romantic midst. Burroughs’ deadpan accounts of life as a heroin addict, and hallucinatory allegories of state violence, are read as an extension of misanthropic gestures in European modernist works by Louis-Ferdinand Céline and Henry Miller. Where Miller had written with callousness
15#
發(fā)表于 2025-3-24 06:03:58 | 只看該作者
16#
發(fā)表于 2025-3-24 08:02:06 | 只看該作者
17#
發(fā)表于 2025-3-24 12:25:37 | 只看該作者
nist legacies after 1945.Timely context for current debates .This book offers a radical new reading of the 1950s and 60s American?literary counterculture. Associated nostalgically with freedom of expression, romanticism, humanist ideals and progressive politics, the period was steeped?too in opposit
18#
發(fā)表于 2025-3-24 16:45:32 | 只看該作者
19#
發(fā)表于 2025-3-24 20:15:12 | 只看該作者
Einführung in die Krankenhaus-Kostenrechnungines’ and arrive at a more extreme and complex version of Miller’s anti-humanist reversal (Burrroughs. .. London: Flamingo (1933). Orig. ed.: 1959, p. 22). It also posits Burroughs’ undisguised impatience with ‘the masses’ as an honest (and paradoxically more constructive) expression of an impulse expressed covertly in Kerouac and Ginsberg’s work.
20#
發(fā)表于 2025-3-25 00:39:17 | 只看該作者
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