Titlebook: Anime Fan Communities; Transcultural Flows Sandra Annett Book 2014 Sandra Annett 2014 children.cinema.Nation.Online.television

葡萄糖

Introduction: Frictive Picturesiscommunications in a classroom that force students to explain what they (think they) mean by “Asian.” In all cases, however, it works as the place where “the rubber meets the road” (6), propelling participants forward into unstable collaborations and conflicts.

Fissure

J. Quiggin,G. Karagiannis,J. Stantoniscommunications in a classroom that force students to explain what they (think they) mean by “Asian.” In all cases, however, it works as the place where “the rubber meets the road” (6), propelling participants forward into unstable collaborations and conflicts.

是剝皮

放縱

correspondent

Channel Surfers: ,’s Postnational Fansiasm,” and “enjoyment” recurred over and over again. So did terms such as “obsession” and “fanatical.” I bring this up not as a great discovery, but to highlight from the start the single most unavoidable, irreducible quality of fandom: .. As to how much and in what way, your mileage may vary.

動機

https://doi.org/10.1007/978-3-030-15748-7these bumpers acted as station identifiers, not-so-subtle advertisements for the network. They also advertised—that is, drew attention to and made known—the fact that a commercial break was coming up.

parsimony

Favorable

沖擊力

“Love at First Site”tting-edge provocation this commercial displays about a relatively new mode of communication are some of the same fears and fascinations that haunted both international cinematic animation and postnational television animation.

Pruritus

Introduction: Frictive Picturesired to keep global power in motion. […] Friction inflects historical trajectories, enabling, excluding, and particularizing” (6). Friction might include anything from bitter feuds between environmental activists, indigenous populations, and rainforest loggers in Indonesia, as in Tsing’s study, to m