Titlebook: An Investigative Cinema; Politics and Moderni Fabrizio Cilento Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Investigative

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https://doi.org/10.1007/978-3-642-91693-9bgenre, where the process itself is elevated to a dominant value independent of any particular goal and of any positive value or ideal of justice. Poitras took these themes and transformed them into self-reflective challenges to the transparency of film, marking the future of investigative cinema.

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Neorealism and the Double Stain: Television and Italian High Modernist Filmmakers,such as banditry, modernization, and the sexual mores of a nation destabilized by intense regionalism. The directors do not use the cinema to provide information, but the information itself is the core of their work.

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Book 2018iracies. These documentary-like films refrain from a simplistic reconstruction of historical events and are mainly concerned with what does not immediately appear on the surface of events. Consequently, they raise questions about the nature of the “truth” promoted by institutions, newspapers, and me

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n series across European and American traditions, such as Th.This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies. These documentary-like films refrain from a simplistic reconstruction of historic

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,Stars and Stardom in Investigative Cinema: The Movies of Gian Maria Volonté and Gael García Bernal,sto Che Guevara in . while also appearing in commercials for Nike and Levi’s. Bernal’s stardom is one in which idealism, rebellion, and commerce coexist. In . and ., Bernal self-reflexively problematizes his global popularity, following in Volonté’s tradition.

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The Ontology of Replay: The Zapruder Video and American Conspiracy Films,e filmmakers a new cinematic time. Consequently, the Maysles brothers in . began exploring if images are able to reveal the true nature of events. Pakula’s . and . are centerpieces of the investigative category in the United States, since they evoke the police-state menace and adopt a documentary-like integration of television news footage.