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Titlebook: American Television on British Screens; A Story of Cultural Paul Rixon Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Li

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發(fā)表于 2025-3-21 18:03:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱American Television on British Screens
期刊簡(jiǎn)稱A Story of Cultural
影響因子2023Paul Rixon
視頻videohttp://file.papertrans.cn/155/154602/154602.mp4
圖書封面Titlebook: American Television on British Screens; A Story of Cultural  Paul Rixon Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Li
影響因子This work explores how American programmes have become an important part of British television culture since the 1950‘s, moving from schedule fillers to cornerstones and ‘must see‘ attractions. The book analyses popular and industrial discourses, the changing roles of such programmes on British screens and interviews with key British broadcasters.
Pindex Book 2006
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發(fā)表于 2025-3-22 00:09:11 | 只看該作者
Broadcasters as Active Mediators,tual decisions made; forces do not buy programmes, broadcasters do. It is they ‘who are making decisions based on their understanding of domestic audiences, channel requirements, scheduling practices and the prevailing television environment’ (Steemers, 2004: 18–19).
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The Black Art: Scheduling American Programmes,, are on another level, dynamic, still undergoing change as they are incorporated into and interact with a schedule; in this way their meaning and role are partly the result of the moment of broadcast — their position in the temporal and spatial dimensions of the schedule.
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Das Ende eines Kapitels Weltluftverkehr,ehind any activity also requires an understanding of the political decisions made in relation to the needs and wishes of that society — an understanding and concern that, in some ways, has been forsaken by classical economics since the 19th century (Mosco, 1996: 47–52).
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