Titlebook: America and the British Imaginary in Turn-of-the-Twentieth-Century Literature; Brook Miller Book 2010 Brook Miller 2010 culture.English li

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https://doi.org/10.1007/978-3-031-21266-6longer was transatlantic “communication” framed in terms of cross-cultural ripostes for home consumption. That is, no longer did the “conversation” have the aspect of two distant ships firing salvos across one another’s bows for the pleasure of the audience on deck.

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Chemische Eigenschaften und Feinbau,s about American commercial energies as well as the values, tastes, and cultural practices that might trail in their wake. “Americanization,” as it was frequently called, pitted the “electric” American character against Old World experience, variously figured as refined, durable, corrupted, and anti

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America and the British Imaginary in Turn-of-the-Twentieth-Century Literature

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Book 2010In an innovative reading of fin-de-siecle cultural texts, Miller argues that British representations of America, Americans, and Anglo-American relations at the turn of the twentieth century provided an important forum for cultural distinction.

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https://doi.org/10.1057/9780230114623culture; English literature; Henry James; Tradition; British and Irish Literature

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https://doi.org/10.1007/978-3-031-21266-6“superpower” in the twentieth century. For the superpower of the nineteenth century, Great Britain, America’s rapid rise engendered a wide range of responses, from anxious to humorous, that sought to make sense of the United States in terms of its relation to Britain. This book argues that related c