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Titlebook: After Marriage in the Long Eighteenth Century; Literature, Law and Jenny DiPlacidi,Karl Leydecker Book 2018 The Editor(s) (if applicable)

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樓主: grateful
11#
發(fā)表于 2025-3-23 12:22:04 | 只看該作者
Handsome, Gallant, Gentle, Rich: Before and After Marriage in the Tales of Charles Perrault,f ancien régime France. In the process, he draws out tensions between an ideal of marriage built on dynastic alliance and the radically different notion of ‘companionate marriage’. Dedicated to a niece of Louis XIV, the tales comfortingly suggest that royal brides at least might not need to sacrifice love to dynastic duty.
12#
發(fā)表于 2025-3-23 17:05:46 | 只看該作者
The Making and Breaking of Wedlock: Visualising Jane, Duchess of Gordon , Marriage,limits of formal portraiture in articulating a filial and genealogical narrative. It argues that graphic satires offer an alternative narrative, with those representing the Duchess of Gordon exposing her as a flawed wife and mother. In so doing, it reveals how marriage itself was conceptualised in eighteenth-century Britain.
13#
發(fā)表于 2025-3-23 18:36:46 | 只看該作者
Book 2018ions of violence and marriage in Gothic novels, and to surveys of same-sex partnerships. The volume is aimed towards students and scholars working in the long eighteenth century, gender studies, women’s writing, publishing history, and art and legalhistorians..
14#
發(fā)表于 2025-3-24 01:55:46 | 只看該作者
15#
發(fā)表于 2025-3-24 04:41:06 | 只看該作者
https://doi.org/10.1007/978-3-030-43309-3f ancien régime France. In the process, he draws out tensions between an ideal of marriage built on dynastic alliance and the radically different notion of ‘companionate marriage’. Dedicated to a niece of Louis XIV, the tales comfortingly suggest that royal brides at least might not need to sacrifice love to dynastic duty.
16#
發(fā)表于 2025-3-24 08:46:48 | 只看該作者
https://doi.org/10.1007/978-3-030-43309-3limits of formal portraiture in articulating a filial and genealogical narrative. It argues that graphic satires offer an alternative narrative, with those representing the Duchess of Gordon exposing her as a flawed wife and mother. In so doing, it reveals how marriage itself was conceptualised in eighteenth-century Britain.
17#
發(fā)表于 2025-3-24 11:21:56 | 只看該作者
Book 2018 regulated by law. The interdisciplinary and comparative essays explore the marital experience beyond the ‘matrimonial barrier’ to encompass representations of married life including issues of spousal abuse, parenting, incest, infidelity and the period after the end of marriage, to include annulment
18#
發(fā)表于 2025-3-24 16:15:40 | 只看該作者
and the visual arts.Focuses on the marital experience beyonThis book examines the intersections between the ways that marriage was represented in eighteenth-century writing and art, experienced in society, and regulated by law. The interdisciplinary and comparative essays explore the marital experi
19#
發(fā)表于 2025-3-24 19:22:07 | 只看該作者
https://doi.org/10.1007/978-3-030-43309-3rom the institution as well as to justify their sacrifice of other women to it. While the law of the land requires their submission to the institution, Christian law allows them to be excused by sending deputies to supply their places, a fact that troubles recent scholarship pointing to the novel’s creation of a feminist utopian paradigm.
20#
發(fā)表于 2025-3-25 02:13:20 | 只看該作者
,‘Knights of Matrimony’? Christian Duty and ,,rom the institution as well as to justify their sacrifice of other women to it. While the law of the land requires their submission to the institution, Christian law allows them to be excused by sending deputies to supply their places, a fact that troubles recent scholarship pointing to the novel’s creation of a feminist utopian paradigm.
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