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Titlebook: Afflictions; Steps Toward a Visua Robert Lemelson,Annie Tucker Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Psychology.Ps

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樓主: CLIP
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發(fā)表于 2025-3-23 10:32:50 | 只看該作者
12#
發(fā)表于 2025-3-23 16:38:46 | 只看該作者
2637-6806 thors‘ form of visual practice and orientation, visual psych.This book is one of the first to integrate psychological and medical anthropology with the methodologies of visual anthropology, specifically ethnographic film. It discusses and complements the work presented in .Afflictions: Culture and M
13#
發(fā)表于 2025-3-23 21:44:15 | 只看該作者
Models of Computer-Based Systemsoke internal and cultural worlds; transcription and translation; the use of voice-over; sound design and soundtracks; seeking feedback and participation from film participants; and understanding film and writing as complementary modes of inquiry and analysis.
14#
發(fā)表于 2025-3-23 23:02:12 | 只看該作者
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發(fā)表于 2025-3-24 02:30:29 | 只看該作者
16#
發(fā)表于 2025-3-24 10:18:16 | 只看該作者
Collaboration, Intervention, Compensation, and Ethics violence and trauma; the complexity of obtaining true consent from film participants who are also friends and who may be at times compromised due to mental illness; shifting motivations for participation and the way off-screen relationships impact filmmaking process and final choices made in film.
17#
發(fā)表于 2025-3-24 14:29:27 | 只看該作者
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發(fā)表于 2025-3-24 18:52:27 | 只看該作者
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發(fā)表于 2025-3-24 19:27:15 | 只看該作者
The Lived Experience of Culture and Mental Illness in Indonesia such studies when imbued with emotion, conflict, and other forms of “real-life” drama. The cross-cutting themes—and idiosyncrasies—are further elaborated in the next part of the book, each chapter of which addresses a different film.
20#
發(fā)表于 2025-3-24 23:35:48 | 只看該作者
The Bird Dancer: Social Rejection and Social Sufferingby traditional healing therapeutics, gendered habitus and family practices, and the Balinese Hindu caste system. It then reflexively examines the role of psychiatric treatment and empathetic listening in Gusti’s personal trajectory and the filmmaking process.
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