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Titlebook: Aesthetics of Law; From Methodology to Kamil Zeidler,Joanna Kamień Book 2024 The Editor(s) (if applicable) and The Author(s), under exclus

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31#
發(fā)表于 2025-3-26 23:59:59 | 只看該作者
32#
發(fā)表于 2025-3-27 01:58:35 | 只看該作者
The Beginning of a Breakthrough,ontext of legal judgment-writing, the imagined judgment, and the notions of emotion and truth. Arising from this analysis a series of logical propositions are then posited as presenting when one conceives of and approaches the common law judgment as an aesthetic form.
33#
發(fā)表于 2025-3-27 06:32:41 | 只看該作者
https://doi.org/10.1007/978-3-642-55709-5the question about the role of the judge. This approach to the topic, which shifts the focus from text to image, also has the value of rehabilitating the importance of cultural visualisation in jurisprudence, which is dominated by the understanding of law as a linguistic phenomenon. Thus, visual cul
34#
發(fā)表于 2025-3-27 11:23:23 | 只看該作者
https://doi.org/10.1007/978-3-642-55709-5the target domain. Consequently, we understand the more complex elements of reality by assigning them features from those areas of reality where objects are more simple. This approach is also used in legal ethics, where an attempt is made to understand the role of a lawyer and his ethical obligation
35#
發(fā)表于 2025-3-27 15:31:33 | 只看該作者
36#
發(fā)表于 2025-3-27 17:53:44 | 只看該作者
Das Management des Corporate Citizenship the Edo period is that they convey criticism to the ruling élite, and as such were appreciated by the general population, but at the same time they were indirect enough to avoid the strict censorship imposed by the Tokugawa Shogunate..A very noticeable element is that ghosts, as such, are scary cre
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發(fā)表于 2025-3-27 22:56:34 | 只看該作者
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發(fā)表于 2025-3-28 05:33:21 | 只看該作者
39#
發(fā)表于 2025-3-28 07:39:22 | 只看該作者
40#
發(fā)表于 2025-3-28 13:58:08 | 只看該作者
A Walk Through the Gardens of Law. Hypertexts, Transcience, and Transjuridicity,n always has an authorship. The garden requires careful and continuous work, the steps of which include defining a project, preparing the land, picking and purchasing the seedlings and seeds, defining a theme and style for the garden, pruning and watering it. There is no garden without this two-fold
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