Titlebook: Aesthetics and the Iconoclasm of Contemporary Art; Pictures Without a W ?arko Pai? Book 2021 The Author(s), under exclusive license to Spri

流浪

Brückenschlag in digitale Weltenhe figure and the image. . thus (re)presents an existential event of novelty in the world. In Nancy’s narrative, it becomes abundantly clear that the body (.) assumes the position of the unthinkable in traditional philosophical thought.

爆米花

averse

冥界三河

Die erstaunliche Effektivit?t der fünf ?E“d from the previous world of the transfiguration of the real. The body in the pictorial “depictions” of contemporary artists, still using the media of painting, deconstructs the body. Such a body is a de-realized cyborg in the situation of losing a sense of representation of figures of human character without reference to their cultural identity.

Osmosis

Introduction, the events that determined the twentieth century—the emergence of the technosphere. When a technologically produced image dominates over language, everything becomes fluid, indeterminate, virtual. From Duchamp to transgenic art, we encounter a radical process of transforming the body into an object of the aestheticization of life.

VALID

orthodox

The Dark Core of Mimesis: Art, Body and Image in the Thought of Jean-Luc Nancy,he figure and the image. . thus (re)presents an existential event of novelty in the world. In Nancy’s narrative, it becomes abundantly clear that the body (.) assumes the position of the unthinkable in traditional philosophical thought.

捕鯨魚(yú)叉

,The Dead-Nature of the Body: Biopolitics and Images of Humans’ End,dy can no longer be relevant to contemporary painting, but that the return of the image to the world is not possible. The image of objects as ready-mades denotes a mass media reality or society of the spectacle (Suprematism–Dadaism–Pop Art).

expository

Event of the Moment: Time in Contemporary Art,onceptual art (Dalí—Darboven) are two different times that arise from two different epochal features of the Being. In the former case, it is the discontinuous continuity of modern art as the aesthetics of works, and in the latter case, discontinuity as the aesthetics of events.

Inkling