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Titlebook: Aesthetic Realism; Inês Morais Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switz

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發(fā)表于 2025-3-21 16:42:09 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Aesthetic Realism
影響因子2023Inês Morais
視頻videohttp://file.papertrans.cn/151/150558/150558.mp4
發(fā)行地址Mounts a defence for realism about beauty.Provides a description of the issue which is acceptable to both realists and anti-realists about the aesthetic.Blends historical analysis of aesthetics and li
圖書封面Titlebook: Aesthetic Realism;  Inês Morais Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switz
影響因子.This compelling book defends realism concerning the aesthetic—in particular, concerning the aesthetic properties of works of art (including works of literature).? Morais lucidly argues that art criticism, when referring to aesthetic properties, is referring not ultimately to the critic’s subjective reactions, but to genuine properties of the works. With a focus on contemporary discussion conducted in the analytic tradition, as well as on arguments by Hume and Kant, this book characterizes the debate in aesthetics and the philosophy of art concerning aesthetic realism, examining attacks on the objectivity of values, the ‘a(chǎn)utonomy thesis’, and Hume’s sentimentalism. Considering and defusing scepticism concerning the significance of the ontological debate about aesthetic realism, Morais discusses two powerful attacks on aesthetic realism before defending the doctrine against them and providing a positive realist account of aesthetic properties..
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發(fā)表于 2025-3-21 22:40:50 | 只看該作者
Error Theory,se moral (and generally evaluative) thought and discourse. The sceptic claims that the mistake calls for correction, by means of an ‘error theory’. My reply is that common-sense is . committed to the sort of objectivist view correctly seen by the error-theorist as implausible. Therefore, I claim, th
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發(fā)表于 2025-3-22 11:24:14 | 只看該作者
Arguments for Aesthetic Realism,itive defence of realism is based on explanatory considerations. Aesthetic realism is defended via an inference to the best explanation of the normativity of aesthetic discourse. In particular, the patent limitations of the applicability of aesthetic terms (including the most general aesthetic terms
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發(fā)表于 2025-3-22 16:39:24 | 只看該作者
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發(fā)表于 2025-3-22 17:31:57 | 只看該作者
Book 2019literature).? Morais lucidly argues that art criticism, when referring to aesthetic properties, is referring not ultimately to the critic’s subjective reactions, but to genuine properties of the works. With a focus on contemporary discussion conducted in the analytic tradition, as well as on argumen
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發(fā)表于 2025-3-23 00:28:17 | 只看該作者
The Nature of Aesthetic Reality,rties (Beardsley), as higher-order ways of appearing (Levinson), and as desire-mediated properties (Zemach). I explain why, contrary to claims by Levinson and Moore, beauty should be included among the aesthetic properties.
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發(fā)表于 2025-3-23 04:50:28 | 只看該作者
Conclusion and Recommendations, general sentimentalism which is an . doctrine concerning how (aesthetic) truths are known. My claim is that Hume’s epistemology of beauty leaves room for, and perhaps lends support to, a moderate aesthetic realism.
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發(fā)表于 2025-3-23 08:17:37 | 只看該作者
Book 2019ogical debate about aesthetic realism, Morais discusses two powerful attacks on aesthetic realism before defending the doctrine against them and providing a positive realist account of aesthetic properties..
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