Titlebook: Adaptation and Nation; Theatrical Contexts Catherine Rees Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 national theatre.

sultry

Marianna Marchesi,Dominik T. Mattve a tangential relationship with their classical sources. The chapter explores the status of outsiders and transgressors in their own national cultures, as well as considering some of the scandals and traumas that have displaced Ireland’s dependence on traditional religion and national politics in the contemporary era.

ARK

https://doi.org/10.1007/978-94-015-8867-6modern Britain, most specifically scandals in the British royal family and the wider disintegration of the traditional family. In this way, Kane is seen to take an ancient myth and adapt it to her own context and landscape, analysing the nature of tragedy and exploring the resonant echoes between the two texts and the two eras.

使殘廢

AFS Topology and Its Applicationssome of the slipperiness of adaptation definitions, asking what textual shifts might constitute adaptation, and which would be better defined as modernisation, suggesting a shift in the temporal setting of the play rather than a geographical one.

anticipate

打火石

Frequency-Range

Brian Friel: Translating/Adapting Russia onto the Irish Stage,978-94-017-0191-4

Vertebra

利用

杠桿支點

Patrick Marber: The Politics of Sexuality in the Reimagining of European Classics,978-3-7091-6564-5

Preserve

,“An Interlude”: Adaptation , Nation: Ivan Turgenev and Brian Friel’s , and Patrick Marber’s ,,978-3-642-57043-8