找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Adaptation Before Cinema; Literary and Visual Lissette Lopez Szwydky,Glenn Jellenik Book 2023 The Editor(s) (if applicable) and The Author

[復制鏈接]
樓主: dentin
21#
發(fā)表于 2025-3-25 04:54:14 | 只看該作者
22#
發(fā)表于 2025-3-25 08:51:56 | 只看該作者
https://doi.org/10.1007/978-3-319-56093-9s show how intricately history and adaptation are intertwined in this drama. . offers a compelling example of pre-cinematic adaptation that prefigures significant contemporary trends in the field of adaptation studies and that testifies to the power of adaptation to shift our understanding of the past as well as our relation to history.
23#
發(fā)表于 2025-3-25 15:21:39 | 只看該作者
24#
發(fā)表于 2025-3-25 18:36:07 | 只看該作者
25#
發(fā)表于 2025-3-25 22:35:57 | 只看該作者
https://doi.org/10.1007/978-3-031-04968-2mporary media theorists how much twentieth- and twenty-first-century media forms and industry practices continue to be influenced not only by historical literary sources but also by early adaptation practices that predate film and other contemporary media. Attention to those older adaptations and ad
26#
發(fā)表于 2025-3-26 02:11:08 | 只看該作者
Bethany A. Teachman,Elise M. Clerkination, the patriarchal oppression of women, and more, throughout the nineteenth century. By tracing this “broader genealogy and legacy” (Kate Newell) of visual storytelling via adapted supplicatory iconographies across time, this analysis demonstrates their important socio-historic role in provoking
27#
發(fā)表于 2025-3-26 05:11:32 | 只看該作者
Stefan G. Hofmann,Michael W. Ottopopular literary genre to deliver revolutionary concepts to an audience that might otherwise not receive them. Despite being adaptations, as well as part of the cultural landscape since the late eighteenth century, not much attention has been paid to novelizations in adaptation studies (Linda Hutche
28#
發(fā)表于 2025-3-26 11:41:00 | 只看該作者
29#
發(fā)表于 2025-3-26 13:13:06 | 只看該作者
30#
發(fā)表于 2025-3-26 17:39:22 | 只看該作者
Craig N. Czyz,Morris E. Hartstein dialogue between the original work and antecedent adaptations, this chapter argues that this dialogue is additionally informed by individual actors, thus demonstrating that the contemporary pairing of Frankenstein’s monster and the vampire can be traced back to the first visual representation of th
 關于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學 Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點評 投稿經(jīng)驗總結 SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學 Yale Uni. Stanford Uni.
QQ|Archiver|手機版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-23 17:37
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權所有 All rights reserved
快速回復 返回頂部 返回列表
上饶县| 高雄市| 青海省| 成安县| 襄垣县| 和硕县| 五常市| 祁门县| 巫山县| 榕江县| 锦州市| 平安县| 临安市| 开原市| 泰和县| 庐江县| 五大连池市| 民和| 白朗县| 道孚县| 凭祥市| 中卫市| 额敏县| 绥江县| 双鸭山市| 武威市| 佛学| 西安市| 四会市| 同德县| 融水| 鞍山市| 庆元县| 凭祥市| 峡江县| 西乡县| 江门市| 会昌县| 图木舒克市| 大渡口区| 郎溪县|