Titlebook: Academia and Higher Learning in Popular Culture; Marcus K. Harmes,Richard Scully Book 2023 The Editor(s) (if applicable) and The Author(s)

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The History of the Carrier’s Liability ‘College Movie’ phenomenon of the 1970s and beyond. Forays into Colin Dexter’s ‘Inspector Morse’ novels (and the famous TV adaptations starring John Thaw), as well as lesser-known works—such as Robert Barnard’s . (1974), set at the University of New England, Armidale—feature in what is the first su

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Proof That the Vessel was Defectiveof the academy must be revisited. Nora Sternfeld in her 2016 paper “Learning Unlearning” argued that the mechanism by which to grapple with these issues is unlearning, in which knowledge and its structures are reflexively examined to generatively rupture them. This process results in a pedagogical f

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Aspects of the Merrifield Peptide Synthesisls of knowledge creation. The analysis begins with the First and Second Doctor’s tense relationship with their home planet’s academical torpor, and the extent to which this influences their exile and their wandering. It then examines the Third Doctor’s (initially unwilling) occupation of a more conv

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Random Assembly of Logical Elements,o contextualise . historically, socially, and culturally, this chapter will explore the history of women’s higher education in the United States. It will then examine the film’s construction of historical memory about women entering academia. The interplay between Roberts’s star persona, Leonardo?da

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https://doi.org/10.1007/978-1-349-17891-9 gives her students ‘a(chǎn)n education like no other’. Similar themes are evident in the . (1998), wherein students learn ‘their teachers really are from another planet’. Unlike the comic or villainous monstrous-feminine figure of the ‘bad’ female rule-breaker teacher, by contrast the masculine rule-brea

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Germany’s Economic Preparations for Warvisors. A 2013 internet-based survey of 666 field scientists (including anthropologists, archaeologists, biologists, zoologists, and geologists) found that ‘harassment and assault were commonly experienced by respondents during trainee career stages’. Science fiction media not only warns us against