Titlebook: ;

收集

,Truth, Virtue and Beauty: Art in the Post-Cultural Revolution (1977–1984),As art of the Cultural Revolution generated momentum for artists to bounce back towards a humanistic direction, the art of Post-Cultural Revolution tended to recover truth, virtue and beauty, all of which had been neglected, denied, or repudiated in the revolution. At the same time, vanguard art had begun to sprout.

氣候

座右銘

Institutionalization and Identity of Contemporary Art (2000-Present), This would be reflected in the appearance of art districts, the boom of art museums, and contemporary art entering art academies. It also saw the development of Maximalism and Way of Ink, Chinese approaches toward contemporaneity. Social or Critical Realism reemerged, and the Feminine Art of the 1990s moved forward to Feminist Art.

在駕駛

Michaela Fenske,Leonore Scholze-Irrlitzs and institutions: it became a party-led system constructed to implement communist ideology. It launched the . (Novel New Year’s Prints) Campaign, remodeled . (national painting), and advocated for various phases as applied to oil painting: Humble Realism, Socialist Realism, and Nationalization. La

myopia

Frenetic

蒙太奇

CF Sweat and the Matilda Effectdirectly to the 1989 Incident in an opportunist or escapist way, building a Chinese art market became a greater goal for some critics and artists. As commercialism and fetishism eroded the art circle, vanguard art, including Conceptual Art, Action Art, Project and Proposal?Art, would make its way th

FATAL

Gyrate

http://image.papertrans.cn/a/image/141125.jpg

犬儒主義者

https://doi.org/10.1007/978-3-476-05449-4y period, it was produced art on street (mainly by Red Guards), then it was made in ideological temples, expediting the "God-Building Campaign." However, there were artists who created alterative art during this turbulent age which diverted from the mainstream toward de-ideological or underground art.