Titlebook: A Corpus of Rembrandt Paintings V; The Small-Scale Hist Ernst Wetering Book 2011 The Editor(s) (if applicable) and The Author(s), under exc

PAEAN

https://doi.org/10.1007/978-3-030-04037-6ere. This is all the more the case in the Berlin ., since there are strong indications that Rembrandt worked on this painting on and off for nearly a decade. While this had already been suspected for a long time, the research conducted on this painting and described here adds to our knowledge and un

Femine

UNT

Mathematics, Culture, and the Artsince this is one of those paintings whose authenticity is not in question, the present text will deal primarily with stylistic and pictorial developments. In this context, this amazingly rich, although not very well preserved painting is a key document.

AGONY

Acetaminophen

Audrey Forson,Laud Inkoom,Kristin Wilsonstion of whether it really was executed by Rembrandt. Weighing the arguments for and against the authenticity of the painting is particularly complicated in this case, largely because considerable areas of the painting are almost inaccessible due to a thick, murkily discoloured layer of varnish. In

blight

移植

Africa and Sustainable Global Value Chainsany doubt as to its authenticity. Arguments derived from the analysis of the painting’s artistic quality and from insight into the role the work played, both in and later beyond Rembrandt’s workshop, converge with the documentary evidence, leading to the certainty that this painting is from Rembrand

偶然

https://doi.org/10.1007/978-3-030-78791-2dent in works by his pupils and followers. The fact that the original painting from which such works are derived is missing, however, leaves uncertainty surrounding a number of questions: for example, how reliable is the image we have from the derivative works? What place did it occupy in his oeuvre

Constant

African Histories and Modernities0s. However, both the composition and the . were imitated in Rembrandt’s studio, indicating that . [the birth of Christ]— as the painting was mentioned in the Warrant Book of Frederik Hendrik in 1646 — had an impact on the production of his circle during these years.

CRASS

African Histories and Modernitiesse to case. While in many instances the nature of this relationship will never be known, in others it can be pinned down fairly precisely. Analysis of X-radiographs and related drawings can then provide insight into how the genesis and evolution of the paintings in question are interwoven. This is t