Titlebook: Writing and Producing for Children and Young Audiences; Cases from Danish Fi Eva Novrup Redvall Book 2024 The Editor(s) (if applicable) and

構(gòu)成

A Brief History of Making Danish Film and Television for Children and Young Audiences,pe for children and adolescents with national dedicated children’s channels and online universes trying to compete with international platforms and other media forms for the attention of the youngest audiences.

大漩渦

考博

Kidney-Failure

Writing and Producing Cross-Media/Transmedia Content for Young Audiences: Aiming for , in a Televiseenwriters, and the broadcaster TV 2 when trying to create a production that would be both highly entertaining and engaging while taking place in a natural science arena and offering opportunities for cross-media communication and information around this.

ECG769

綁架

,Writing and Producing for Preschoolers: Balancing Fascination/Identification and Making ‘Affordable into an analysis of how the development and writing of . were influenced by productional ideas of balancing fascination and identification, making ‘a(chǎn)ffordable fiction’, and developing ‘portable characters’ that can work across platforms and in live shows as well as on the television screen.

HACK

Conclusions and Cliffhangers,th and input on/from the young audiences. After discussing these overall changes in more detail, the chapter ends by suggesting how the coming years will likely be marked by more hybridisation and DIY productions by children and young audiences.

LEVER

Muscularis

forestry