Titlebook: Women and Discourse in the Fiction of Marguerite Duras; Love, Legends, Langu Susan D. Cohen Book 1993 Susan D. Cohen 1993 critique.fiction.

Holter-monitor

書目名稱Women and Discourse in the Fiction of Marguerite Duras影響因子(影響力)




書目名稱Women and Discourse in the Fiction of Marguerite Duras影響因子(影響力)學(xué)科排名




書目名稱Women and Discourse in the Fiction of Marguerite Duras網(wǎng)絡(luò)公開度




書目名稱Women and Discourse in the Fiction of Marguerite Duras網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Women and Discourse in the Fiction of Marguerite Duras被引頻次




書目名稱Women and Discourse in the Fiction of Marguerite Duras被引頻次學(xué)科排名




書目名稱Women and Discourse in the Fiction of Marguerite Duras年度引用




書目名稱Women and Discourse in the Fiction of Marguerite Duras年度引用學(xué)科排名




書目名稱Women and Discourse in the Fiction of Marguerite Duras讀者反饋




書目名稱Women and Discourse in the Fiction of Marguerite Duras讀者反饋學(xué)科排名

Delectable

micronized

“Ignorance” and Textualityin my work, it is there. For example,” continues Duras concerning ., “for the beggar, it took me months to know who was speaking, to tell the story of the beggar, and how someone knew.”. The “secret,” so to speak, of Duras’ narrative structuring consists precisely in this: the “someone” in question,

注入

有毛就脫毛

Sleeping Beauties: Discourse, Gender, Genre in the “Erotic” Texts and offer in distilled form images of erotico-pornographic relations as defined and experienced in patriarchal society. I conflate the terms or use them interchangeably because, conceptualized in the dominant symbolic order, the erotic and the pornographic are on a continuum in which the line betwe

小畫像

Elements of a Styleinized is the “how” of her achievement. I caution that the following presentation of some of Duras’ discursive strategies does not constitute an exhaustive inventory. Rather, it offers examples of recurrent structures, techniques, and metalinguistic themes characteristic of her work. I do not conduc

要素

煉油廠

Conclusion reflects the absence of an original, interdicting subject — not a loss, but a potential for liberation from discursive domination and repression. Duras’ textual strategies (re)articulate a language “indicative” in several ways. It exposes the unitary language it deconstructs, with its symbolic orde

lacrimal-gland

爭吵加

Sleeping Beauties: Discourse, Gender, Genre in the “Erotic” Textsrrative modalities that inscribe discursive and implicit narrative plurality, though less through referential absence than through a certain overabundance of presence in conjunction with a displaced, yet essential matrix of narrative “ignorance.”