Titlebook: Women and Arthurian Literature; Seizing the Sword Marion Wynne-Davies Book 1996 Marion Wynne-Davies 1996 20th century.bibliography.Chaucer.

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,‘Thro’ the brilliant eye’: Julia Margaret Cameron’s Illustrations to Tennyson’s ,,re-Raphaelite circle, whose members included Millais, Rossetti, Holman Hunt, Burne Jones and G. F. Watts. When the Camerons returned to England from Calcutta in 1848, Julia Margaret became part of the group, not so much as a creative contributor, but as a facilitator, encouraging others to attend th

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,‘An arm clothed in white samite’: Twentieth-Century Women Writers and the Arthurian Legends (Mary S view or even concentrate upon the female figures of the legends, as, for example, Lady Charlotte Guest had done. Instead, Stewart focuses on the first person narrative of Merlin, Arthur’s magician, and makes no question about the anti-hero status of her narrator, asserting his unconventional role i

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,‘I will, Lord, while I can’: Lady Charlotte Guest’s ,,return for a moment to the ., which were discussed at the beginning of the previous chapter.. The following account will, no doubt, seem familiar in terms of the events it covers, but it will simultaneously appear strange because of the . in which they are recorded:

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978-1-349-24455-3Marion Wynne-Davies 1996

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