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Titlebook: ?kologie - Individuen, Populationen und Lebensgemeinschaften; Michael Begon,John L. Harper,Colin R. Townsend Book 1991 Birkh?user Basel 19

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樓主: 萬能
51#
發(fā)表于 2025-3-30 09:05:32 | 只看該作者
52#
發(fā)表于 2025-3-30 13:42:52 | 只看該作者
Leben und Tod bei unitaren und modularen Organismene encouraged middle-class women to ‘dip their toes into public life, to campaign, to organize, to develop expertise’.. Stott ably explores the complexity of More’s position, in enabling labouring men and women carefully controlled access to education and the means of social advance-ment, and in prom
53#
發(fā)表于 2025-3-30 19:08:03 | 只看該作者
54#
發(fā)表于 2025-3-30 23:47:33 | 只看該作者
a awareness was itself an early symptom of cultural transition to Postmodernity. Indeed, in the purely chronological, if not theoretically-laden, sense, thirties writers were the first Postmodern generation. Their sense of reality was in crisis under the full impact of early twentieth-century techno
55#
發(fā)表于 2025-3-31 02:05:32 | 只看該作者
Intraspezifische Konkurrenzence between American and British youth representations. As a result, I focus on the two MTV translations over Syfy’s . (2011–2014), as the latter was assimilated into the channel’s telefantasy norm rather than defined as a youth text. In examining the critical and industrial discourse surrounding .
56#
發(fā)表于 2025-3-31 05:49:16 | 只看該作者
Die Populationsdynamik der Pr?dationlidate the assumption made by audiences at the time that the two events were connected; my present purpose is not to speculate about this, but rather to note that Pinter’s greatness as a dramatist rests on the production of the last eighteen years or so he spent under the influence of the wife-muse
57#
發(fā)表于 2025-3-31 13:03:00 | 只看該作者
Destruenten und Detritivoreniques and themes familiar from Shaw, O’Casey and the naturalists. Osborne’s plays continue to be an internal guide through a modern Heartbreak House, but its lethargy is challenged by the vociferously protesting but primarily intuitive voices of its more intelligent sufferers — who nevertheless fail
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