Titlebook: 21st Century US Historical Fiction; Contemporary Respons Ruth Maxey Book 2020 The Editor(s) (if applicable) and The Author(s), under exclus

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978-3-030-41899-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Arresting

https://doi.org/10.1007/978-3-540-88647-1ores the legitimacy of African American folklore as an empowering, imaginative resource. Controversially, in plot and symbolic structure, McBride exploits the “Quilt Code,” the secret instructions supposedly sewn into quilts to aid escaped slaves and now seen by historians as an example of fakelore:

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https://doi.org/10.1007/978-3-540-88647-1ince—embedded within a familiarly “real” setting, the antebellum South—Whitehead creates an underground railroad that is a literal subway and events that are frequently (and deliberately) inaccurate historically. Docherty asks whether Whitehead’s creative, flexible approach to history generates a us

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übungsaufgaben zur Mathematik für Ingenieurenarrative signification in E. L. Doctorow’s 2009 novel, .. She posits that Doctorow brings together popular and highbrow musical styles and their corresponding ideologies, exploring the multilayered relationship of sound to the moving image and highlighting the interplay between different forms of n

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Mehrdimensionale Differentialrechnung,e in relation to two recent American bestsellers about World War II: Anthony Doerr’s . (2014) and Kristin Hannah’s . (2015), novels grounded in historical research. What does it mean for authors from the Midwest and the West Coast, respectively, to pursue the Holocaust as the topic of their fiction?