Titlebook: 20 Ground-Breaking Directors of Eastern Europe; 30 Years After the F Kalina Stefanova,Marvin Carlson Book 2021 The Editor(s) (if applicable

調(diào)整

壕溝

molest

,From the Theatron to the Agora: Changing Concepts of Theatricality in Schilling árpád’s Oeuvre,978-3-030-93429-3

ANNUL

精致

Bidu Bhusan Jena,Susanta Kumar Paikrayakers, whose productions and plays are frequently staged at home and abroad. Born in 1977, she embraces the mission of re-shaping the Romanian theatre through a new way of writing and using the stage to convey comments and oppose the state and society. Her shows originate from contemporary themes, i

浪費物質(zhì)

Tawfik A. Khattab,Meram S. Abdelrahman include the war in Yugoslavia and fascist tendencies in contemporary Europe. Although his often controversial shows have won numerous national and international awards, making him a major figure in the theatre of Eastern Europe, he has also been the target of vicious attacks by critics in the conse

同義聯(lián)想法

https://doi.org/10.1007/978-981-10-4804-3d Hermanis took from the 1990s, as a young and rebellious postmodern director, into the second decade of the twenty-first century. In such productions as . (2003), . (2006), . (2007) and . (2015), he approaches psychological theatre on a new, innovative level, exploring it as a kind of time machine

職業(yè)

原始

H. J. Chen M.D., Ph.D.,Y. K. Tusome of his most acknowledged productions. He is one of the most popular and influential theatre artists in Poland. His work is deeply rooted in the essential phenomena of Polish theatre history: as a student he held assistant posts to directors like Jerzy Grzegorzewski, Jerzy Jarocki and Krystian L

Palpitation