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標(biāo)題: Titlebook: Non-Representational Geographies of Therapeutic Art Making; Thinking Through Pra Candice P. Boyd Book 2017 The Editor(s) (if applicable) an [打印本頁(yè)]

作者: Coagulant    時(shí)間: 2025-3-21 17:42
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作者: 蕁麻    時(shí)間: 2025-3-21 21:17
Book 2017al. It examines the sites and performances of a wide range of therapeutic art practices, including painting and drawing, dance movement therapy, fibre art, subterranean graffiti practice, and poetic permaculture. In doing so it provides an important assessment of the role and status of therapy in co
作者: 學(xué)術(shù)討論會(huì)    時(shí)間: 2025-3-22 01:13
Book 2017feminism, Guattari’s ethico-aesthetic paradigm, Whitehead’s process-oriented ontology, and Deleuze’s writing on sense and the event. This innovative study will prove essential for scholars and practitioners of cultural geography, socially-engaged art, therapeutic studies, and occupational therapy..
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作者: photophobia    時(shí)間: 2025-3-22 12:46
https://doi.org/10.1007/978-3-319-46286-8Space; Subjectivity; Performance; Therapy; Interdisciplinary Studies; Research Methods; Materiality; therap
作者: BINGE    時(shí)間: 2025-3-22 12:57
Candice P. BoydOffers a novel and important perspective on the role and status of therapy in contemporary life.Provides a highly original contribution to the arts and humanities by producing a better understanding o
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作者: 神化怪物    時(shí)間: 2025-3-23 03:09
Ekphrastic Geographies,This chapter focuses on the practice insights that emerged from the research project by organising them according to the techniques of painting and poetry, dancing and drawing, schizoanalytic mapping, soundscape, musical ekphrasis, photography and montage.
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作者: falsehood    時(shí)間: 2025-3-23 14:06
Process-Oriented Ontologies and the Ethics of Affirmation, accessible to practice-based researchers. The chapter progresses by philosopher to include contemporary perspectives on process-relational philosophy, post-phenomenology, speculative realism, vital materialisms, and affirmative ethics.
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Performing Research,nd considers its implications for research in contemporary cultural geography. It goes on to describe the methodological approach to a research project involving practitioners of ‘slow art’, dance movement therapy, subterranean graffiti, poetic permaculture, and fibre art and concludes by contrastin
作者: Insufficient    時(shí)間: 2025-3-24 22:01
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