派博傳思國際中心

標(biāo)題: Titlebook: New Directions in Soviet Literature; Sheelagh Duffin Graham (Senior Lecturer in Russian Book 1992 Palgrave Macmillan, a division of Macmil [打印本頁]

作者: 多話    時(shí)間: 2025-3-21 18:13
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作者: calamity    時(shí)間: 2025-3-21 22:04
Village Prose: Chauvinism, Nationalism or Nostalgia?, My chapter will attempt to untangle this complex situation first by defining this literary movement, and then by distinguishing the legacy of canonical village prose from the activities of people who at one time wrote this type of literature, and from literary critics and ideologues who have adapte
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https://doi.org/10.1007/978-1-349-22331-2Analyse; drama; fiction
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作者: Hectic    時(shí)間: 2025-3-22 18:04
Book 19921990. The ten articles range from the experimental prose and drama of the 1920s to studies of work by younger writers of the 1980s. The articles include analyses of works by individual writers and examinations of general phenomena, for example, village prose or the way Stalin is presented in literature of the glasnost era.
作者: subordinate    時(shí)間: 2025-3-22 23:42

作者: 滑動    時(shí)間: 2025-3-23 03:13
,Brodsky’s Poetic Self-portrait,ersona, fictional ego, narrative mask or general lyrical subject.. For many researchers the extent of their affinity with the author remains a matter for speculation for, to date, we have found no reliable criteria for establishing the similarities and dissimilarities between the writing ‘I’ and ‘I’ in writing..
作者: Muscularis    時(shí)間: 2025-3-23 05:36
A Matter of (Dis)course: Metafiction in the Works of Daniil Kharms,rous in its rejection of literary convention. One of their central claims was that literature in Russia should reflect the significant changes brought about by the October Revolution, principally by reflecting the aesthetic tastes of the growing proletariat. As the group put it in their ‘manifesto’:
作者: 分解    時(shí)間: 2025-3-23 13:45

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作者: LAPSE    時(shí)間: 2025-3-23 20:29
Myth in the Works of Chingiz Aitmatov,cal literature for creating some kind of ‘superreality’ or ‘superphilology’, by imposing allegorical meaning on simple realistic details, for the stylistic ‘oversat-uration’ of mythological prose with allegories and symbols and for its pretentious ornamental style. .
作者: enlist    時(shí)間: 2025-3-23 22:22
tudies in 1990. The ten articles range from the experimental prose and drama of the 1920s to studies of work by younger writers of the 1980s. The articles include analyses of works by individual writers and examinations of general phenomena, for example, village prose or the way Stalin is presented
作者: 內(nèi)行    時(shí)間: 2025-3-24 03:30
cles include analyses of works by individual writers and examinations of general phenomena, for example, village prose or the way Stalin is presented in literature of the glasnost era.978-1-349-22331-2
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作者: anticipate    時(shí)間: 2025-3-25 05:12
Tolstaian Times: Traversals and Transfers,o widen the frame, if only slightly.’. In her fiction Tat’iana Tolstaia not only widens the frame, but packs within it an assortment of experiences that insistently push against the restraining contours and, on occasion, actually extend our vision beyond the frame. The multi-layered apperception of
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作者: 許可    時(shí)間: 2025-3-25 23:54
Village Prose: Chauvinism, Nationalism or Nostalgia?,literature and the rise of extreme Russian nationalist groups, especially Pamyat. Such actions as the public expression by several erstwhile . of affinity with some of Pamyat’s ideas, the way some of these same writers wielded power in the RSFSR Writers’ Union, and the signing — along with many urba
作者: BOLUS    時(shí)間: 2025-3-26 03:04
,Brodsky’s Poetic Self-portrait,y incarnation of his personality, its psychological and physical traits. Traditionally researchers have seen it as involving the complex problem of how far one can justifiably go in equating the author with the voices emanating from his text, whatever one choses to call them — lyrical hero, poetic p
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