標(biāo)題: Titlebook: Music in Contemporary French Cinema; The Crystal-Song Phil Powrie Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 French cin [打印本頁(yè)] 作者: 獨(dú)裁者 時(shí)間: 2025-3-21 17:15
書目名稱Music in Contemporary French Cinema影響因子(影響力)
書目名稱Music in Contemporary French Cinema影響因子(影響力)學(xué)科排名
書目名稱Music in Contemporary French Cinema網(wǎng)絡(luò)公開度
書目名稱Music in Contemporary French Cinema網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Music in Contemporary French Cinema被引頻次
書目名稱Music in Contemporary French Cinema被引頻次學(xué)科排名
書目名稱Music in Contemporary French Cinema年度引用
書目名稱Music in Contemporary French Cinema年度引用學(xué)科排名
書目名稱Music in Contemporary French Cinema讀者反饋
書目名稱Music in Contemporary French Cinema讀者反饋學(xué)科排名
作者: 弓箭 時(shí)間: 2025-3-21 22:07 作者: 施舍 時(shí)間: 2025-3-22 03:50
978-3-319-84885-3The Editor(s) (if applicable) and The Author(s) 2017作者: 藕床生厭倦 時(shí)間: 2025-3-22 07:08 作者: 單獨(dú) 時(shí)間: 2025-3-22 08:59
ervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future..978-3-319-84885-3978-3-319-52362-0作者: Nonthreatening 時(shí)間: 2025-3-22 15:49
Book 2017Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future..作者: Occipital-Lobe 時(shí)間: 2025-3-22 20:35 作者: 籠子 時(shí)間: 2025-3-23 00:43
community and interrelationships between music and gender, sThis book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space mu作者: 暗語(yǔ) 時(shí)間: 2025-3-23 02:04
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