標(biāo)題: Titlebook: Hope and Wish Image in Music Technology; David P. Rando Book 2017 The Editor(s) (if applicable) and The Author(s), under exclusive license [打印本頁] 作者: False-Negative 時間: 2025-3-21 18:45
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作者: sigmoid-colon 時間: 2025-3-21 22:34 作者: 的’ 時間: 2025-3-22 04:11 作者: OUTRE 時間: 2025-3-22 07:34
David P. Randove features in a discipline of proof search. The first attempts to use Herbrand’s theorem directly and to reduce a first-order formula to a propositional one failed because of tremendous complexity. The paper of J. A. Robinson on the resolution principle (Robinson, 1965) then brought the decisive br作者: dissolution 時間: 2025-3-22 08:58 作者: perimenopause 時間: 2025-3-22 15:02
David P. Randove features in a discipline of proof search. The first attempts to use Herbrand’s theorem directly and to reduce a first-order formula to a propositional one failed because of tremendous complexity. The paper of J. A. Robinson on the resolution principle (Robinson, 1965) then brought the decisive br作者: 可轉(zhuǎn)變 時間: 2025-3-22 17:45
David P. Randoon. Logic programming, while still falling somewhat short of its expectations, is now widely used, deduc- tive databases are well-developed and logic-based description and analysis of hard-and software is commonplace today.978-90-481-5052-6978-94-017-0437-3Series ISSN 1386-2790 作者: cluster 時間: 2025-3-22 21:39 作者: facetious 時間: 2025-3-23 04:41
David P. Randoon. Logic programming, while still falling somewhat short of its expectations, is now widely used, deduc- tive databases are well-developed and logic-based description and analysis of hard-and software is commonplace today.978-90-481-5052-6978-94-017-0437-3Series ISSN 1386-2790 作者: arcane 時間: 2025-3-23 06:48 作者: fulmination 時間: 2025-3-23 11:16
Introduction: Audible Hope, wish. Our modes of production have generated such material abundance and such remarkable capabilities that by reason and by any stretch of the imagination they . changed the world in these essential ways by now, but still have failed to do so. We now possess so many things that people in the past u作者: 鐵塔等 時間: 2025-3-23 14:22
Wish Images and Wishful Images: Benjamin and Bloch,technological innovations, as envisioned by Benjamin, and of music’s unique capacity to venture beyond the limits of articulation and to attach to unrealized possibilities, in a world, as theorized by Bloch, whose future is still radically up for grabs.作者: 耐寒 時間: 2025-3-23 20:01
The Music of Wish Images: Filesharing and Utopia,uggests a special relationship between free music and free people. In order to realize the wish image contained in the practice of music filesharing, the social longings it represents would have to be brought into consciousness through critical discourse, and then completed beyond the scope of its practice in a new social order.作者: 舉止粗野的人 時間: 2025-3-23 23:28
The Mixtape as Wishtape: Heterotopia, Translation, and Nostalgia,the commodified fragments of music back into an unalienated musical whole or totality. While the cultural nostalgia surrounding the mixtape makes it easily soluble into politically regressive and sometimes troubling wishes, the mixtape is ultimately aligned with Bloch’s image of music as a wishful expression of the New and the Not-Yet-Conscious.作者: 挫敗 時間: 2025-3-24 06:12
,“The Enemy Has Never Ceased to Be Victorious”: Anne Frank and Neutral Milk Hotel,past hopes that have been dashed by an “enemy [who] has never ceased to be victorious.” However, through a discussion of songwriter Jeff Mangum’s surprise performance in Zuccotti Park during Occupy Wall Street, I discuss enduring resistances to repressed wishful images that prevent the wish image from being realized or made real. 作者: Incisor 時間: 2025-3-24 10:08
Conclusion: The Happy Appearance and the Wishful Tendency in Cultural Criticism,logical claim for approaching music commodities and services (and cultural objects and practices more generally) through a simultaneously skeptical and wishful perspective, even at the risk that belief in the wishful appearance can, in Bloch’s words, “l(fā)ure us demonically into the void.”作者: 災(zāi)難 時間: 2025-3-24 11:41
,The Artist and Technology: William Gaddis’s ,, or the World’s Smallest Player Piano Playing Itself nstrumental uses of technology. Through the novel’s meditation on the player piano, there emerges a repressed technological wish image for a better world without (capitalist) artists, or even the need for them.作者: 字謎游戲 時間: 2025-3-24 16:05 作者: 埋伏 時間: 2025-3-24 21:00 作者: Limerick 時間: 2025-3-25 02:31
e of music in the digital environment through cultural, busi.This book proposes that new music technologies attract unconscious desires for socialism and collectivity, enabling millions of people living under capitalism to dream of repressed social alternatives. Grounded in the philosophical writing作者: PRISE 時間: 2025-3-25 04:31 作者: 排出 時間: 2025-3-25 07:29
http://image.papertrans.cn/h/image/428238.jpg作者: 鞏固 時間: 2025-3-25 15:32
https://doi.org/10.1007/978-3-319-34015-9Filesharing; Music Streaming; Ernst Bloch; Walter Benjamin; Socialism; Wish Image; Music Technologies作者: Traumatic-Grief 時間: 2025-3-25 19:38 作者: 澄清 時間: 2025-3-25 20:43 作者: 發(fā)展 時間: 2025-3-26 04:07
David P. Randoand “traditional” calculi, like Hilbert-type and Gentzen-type calculi, belong to the first category. Either they serve as a framework to a theory of provability, where not actual proofs but only their existence is of relevance, or they are used as instruments for proof transformations (e.g., cut-eli作者: 思考 時間: 2025-3-26 06:23 作者: Interlocking 時間: 2025-3-26 12:04 作者: somnambulism 時間: 2025-3-26 13:13 作者: Indolent 時間: 2025-3-26 17:29
David P. Randoirement of a novel combination of psy- chology, logic, mathematics and technology. Hao Wang, 1970, quoted from(Wang, 1970). The field of mathematics has been a key application area for automated theorem proving from the start, in fact the very first automatically found the- orem was that the sum of 作者: 紅潤 時間: 2025-3-26 23:16 作者: aggravate 時間: 2025-3-27 04:23 作者: Encephalitis 時間: 2025-3-27 08:39 作者: 針葉類的樹 時間: 2025-3-27 11:56
Wish Images and Wishful Images: Benjamin and Bloch,n of the collective potential of the music streaming service, Beats Music, this second chapter introduces the methodology of the book. Central to this examination of Benjamin’s wish images and Bloch’s wishful images are the key ideas of the unspent and unredeemed utopian energies that gather around 作者: 狗舍 時間: 2025-3-27 13:44 作者: 制造 時間: 2025-3-27 18:33
The Mixtape as Wishtape: Heterotopia, Translation, and Nostalgia,ies and services. I view the mixtape as a heterotopic space capable of constellating music from disparate times and places into configurations that long to disorder the given forms of capitalist music. However, the wish image of the mixtape is also invested in reordering, restoring, and translating 作者: 鈍劍 時間: 2025-3-28 01:21 作者: 金哥占卜者 時間: 2025-3-28 03:33 作者: META 時間: 2025-3-28 08:27 作者: 變量 時間: 2025-3-28 12:33
Conclusion: The Happy Appearance and the Wishful Tendency in Cultural Criticism,argue that this idyll must naturally be dispelled or demystified, but also that the critic must sometimes risk credulity in the happy appearance in order to identify and locate genuinely wishful images for social alternatives within cultural objects and practices. The conclusion thus makes a methodo作者: 肌肉 時間: 2025-3-28 16:25
