標(biāo)題: Titlebook: ; [打印本頁] 作者: ambulance 時間: 2025-3-21 16:15
書目名稱Greek Tragedy and the Contemporary Actor影響因子(影響力)
書目名稱Greek Tragedy and the Contemporary Actor影響因子(影響力)學(xué)科排名
書目名稱Greek Tragedy and the Contemporary Actor網(wǎng)絡(luò)公開度
書目名稱Greek Tragedy and the Contemporary Actor網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Greek Tragedy and the Contemporary Actor被引頻次
書目名稱Greek Tragedy and the Contemporary Actor被引頻次學(xué)科排名
書目名稱Greek Tragedy and the Contemporary Actor年度引用
書目名稱Greek Tragedy and the Contemporary Actor年度引用學(xué)科排名
書目名稱Greek Tragedy and the Contemporary Actor讀者反饋
書目名稱Greek Tragedy and the Contemporary Actor讀者反饋學(xué)科排名
作者: 安慰 時間: 2025-3-21 21:42
The Aristotle Legacy,ama, leading them to mislocate the problems such plays pose, and misunderstand the manifold possibilities represented by the genre’s challenges. This chapter contends that the perspective of the theatre historian, concerned with the relationships between play-texts, theatre practices, and their chan作者: 極小 時間: 2025-3-22 03:14
The Stanislavski Legacy,ly pedagogic experiments, rather than insights and practices derived?from his ongoing, psychophysical explorations (or subsequent integrative training systems) to the multiple challenges of acting tragedy. This recurring alignment of Aristotelian principles and Stanislavski-based practices also play作者: Alopecia-Areata 時間: 2025-3-22 08:37
Acting Sound, dramatic verse, and the sensory qualities of words. This chapter examines the relationship of music and poetry in ancient Athens, and its performance culture. Most English-speaking actors probably will encounter the texts of tragedy via translation (a recent Australian production of . offers the ch作者: 秘傳 時間: 2025-3-22 10:12 作者: FIG 時間: 2025-3-22 14:52
Acting Space,ce, transformational space, community space, and agonistic space to identify the range of challenges and opportunities confronting the contemporary performer. It counters Aristotelian disdain for the practicalities of staging a play by developing a revisionary account of ancient playwrights as skilf作者: FIG 時間: 2025-3-22 18:49
Acting Chorus,hen staging the chorus, today’s actors are likely to be perplexed by the conundrum of how much ‘like a character’ the chorus is meant to be, especially in relation to the conventions of modern realist theatre. This chapter re-frames this question in terms of contemporary practice, identifying how a 作者: aptitude 時間: 2025-3-22 22:51 作者: 600 時間: 2025-3-23 03:08 作者: 鍍金 時間: 2025-3-23 07:09
https://doi.org/10.1007/978-3-662-25270-3ama, leading them to mislocate the problems such plays pose, and misunderstand the manifold possibilities represented by the genre’s challenges. This chapter contends that the perspective of the theatre historian, concerned with the relationships between play-texts, theatre practices, and their chan作者: 我正派 時間: 2025-3-23 11:50 作者: 熱心助人 時間: 2025-3-23 14:33
https://doi.org/10.1007/978-3-0348-4135-1 dramatic verse, and the sensory qualities of words. This chapter examines the relationship of music and poetry in ancient Athens, and its performance culture. Most English-speaking actors probably will encounter the texts of tragedy via translation (a recent Australian production of . offers the ch作者: 天空 時間: 2025-3-23 21:30 作者: barium-study 時間: 2025-3-23 22:56
Andreas Rottach,Alexander K?fferce, transformational space, community space, and agonistic space to identify the range of challenges and opportunities confronting the contemporary performer. It counters Aristotelian disdain for the practicalities of staging a play by developing a revisionary account of ancient playwrights as skilf作者: 緩和 時間: 2025-3-24 02:41
Neue Wege der Energieversorgunghen staging the chorus, today’s actors are likely to be perplexed by the conundrum of how much ‘like a character’ the chorus is meant to be, especially in relation to the conventions of modern realist theatre. This chapter re-frames this question in terms of contemporary practice, identifying how a 作者: 供過于求 時間: 2025-3-24 09:55
https://doi.org/10.1007/978-3-663-10891-7ted with tragedy’s ‘classical’ status, psychophysical acting, theatre histories, and the politics of performing tragedy today. It revisits a series of unresolved tensions—between text and musicality, character roles and theatrical storytelling, mimetic and transformative spatial presence, individual作者: 裂口 時間: 2025-3-24 14:20
https://doi.org/10.1007/978-3-0348-4135-1apter’s main case study); however, this chapter argues that such encounters with ancient plays still require a deep excavation of musical and metrical structures, and their somatic promptings, providing a series of practical exercises to support this process.作者: Mumble 時間: 2025-3-24 17:15 作者: Modify 時間: 2025-3-24 22:21 作者: Ibd810 時間: 2025-3-25 02:51
Acting Myth,ctical provocations, which are informed by contemporary storytelling theatre (especially the work of Emma Rice and Kneehigh Theatre) and performance storytelling. Such practices are located in relation to wider notions of the contemporary theatre-maker as potential author of their own responses to tragedy.作者: 空氣 時間: 2025-3-25 05:19
https://doi.org/10.1007/978-3-322-85986-0rovocations, requiring (and inviting) the contemporary actor to engage with breath, sound, music, song, storytelling, space, architecture, embodiment, transformation, and choral or ensemble practices—or any combination of these.作者: 熔巖 時間: 2025-3-25 11:23
https://doi.org/10.1007/978-3-662-25270-3ary identification of Aristotle as a proto-Hellenistic figure. A closing discussion highlights the ways in which Aristotelian presumptions about the nature and function of tragedy set the stage for particular (mis)applications of Stanislavski-inspired practices.作者: sebaceous-gland 時間: 2025-3-25 12:38
Vorbehandlung der tierischen Fasern,ntric) understanding of tragedy and its potentials. However, this challenge can be addressed by re-focusing attention on psychophysical aspects of Stanislavski’s actor-training pedagogy, and the various integrative training and acting practices which, today, work through a synthesis of intellectual and embodied creativity.作者: Clinch 時間: 2025-3-25 17:59
Andreas Rottach,Alexander K?ffertragedy can develop more attentive and provocative relationships with space, and with one another’s bodies in motion, as well as considering how current theatre-makers have re-activated ancient tragic plays in site-specific contexts.作者: 反感 時間: 2025-3-25 21:45
Neue Wege der Energieversorgung of physical and psychological presence, realist characterization, and transformative choreography or musicality. Acting Chorus finally proposes that these alternatives must be uniquely and perpetually negotiated by each group that embarks upon the work of becoming a Greek chorus.作者: sigmoid-colon 時間: 2025-3-26 01:57 作者: Rejuvenate 時間: 2025-3-26 05:46 作者: 多產(chǎn)子 時間: 2025-3-26 10:43
The Aristotle Legacy,ary identification of Aristotle as a proto-Hellenistic figure. A closing discussion highlights the ways in which Aristotelian presumptions about the nature and function of tragedy set the stage for particular (mis)applications of Stanislavski-inspired practices.作者: 魯莽 時間: 2025-3-26 14:00 作者: A簡潔的 時間: 2025-3-26 19:23
Acting Space,tragedy can develop more attentive and provocative relationships with space, and with one another’s bodies in motion, as well as considering how current theatre-makers have re-activated ancient tragic plays in site-specific contexts.作者: embolus 時間: 2025-3-26 21:00
Acting Chorus, of physical and psychological presence, realist characterization, and transformative choreography or musicality. Acting Chorus finally proposes that these alternatives must be uniquely and perpetually negotiated by each group that embarks upon the work of becoming a Greek chorus.作者: Clinch 時間: 2025-3-27 04:02 作者: 使虛弱 時間: 2025-3-27 08:07
Malo Rosemeier,Alexander Krimmer CSR. This shift entailed a change in leadership, the organizational transformation of the firm, a major change in practices, a better connection with the environment and the development of a CSR network that promoted the institutionalization of CSR within the company.作者: MENT 時間: 2025-3-27 13:21 作者: ELATE 時間: 2025-3-27 15:56
lantation ethics, surgical care of patients and futility, conscientious objection, informed consent and disclosure of surgeon experience, and research and publication ethics are included and based on the experience of the Editor and the roster of contributors.978-3-319-79223-1978-3-319-15949-2作者: tooth-decay 時間: 2025-3-27 18:42
Alfred Marshallcording to our results. Social interaction opportunities available during the stream led to increased feelings of social connection. Additional information about a certain piece in the programme had a strong effect on the understanding of it. Moreover, we observed differentiated forms of concert exp作者: BRIEF 時間: 2025-3-27 22:55 作者: 最有利 時間: 2025-3-28 03:52 作者: Forage飼料 時間: 2025-3-28 09:19
Book 1922 sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.作者: Focus-Words 時間: 2025-3-28 12:36 作者: 鞠躬 時間: 2025-3-28 15:12
