標(biāo)題: Titlebook: Gothic Hauntology; Everyday Hauntings a Joakim Wrethed Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license t [打印本頁] 作者: 怕跛行他有限 時(shí)間: 2025-3-21 19:17
書目名稱Gothic Hauntology影響因子(影響力)
書目名稱Gothic Hauntology影響因子(影響力)學(xué)科排名
書目名稱Gothic Hauntology網(wǎng)絡(luò)公開度
書目名稱Gothic Hauntology網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Gothic Hauntology被引頻次
書目名稱Gothic Hauntology被引頻次學(xué)科排名
書目名稱Gothic Hauntology年度引用
書目名稱Gothic Hauntology年度引用學(xué)科排名
書目名稱Gothic Hauntology讀者反饋
書目名稱Gothic Hauntology讀者反饋學(xué)科排名
作者: 破布 時(shí)間: 2025-3-21 22:23 作者: alleviate 時(shí)間: 2025-3-22 01:29 作者: 小歌劇 時(shí)間: 2025-3-22 08:09 作者: DNR215 時(shí)間: 2025-3-22 10:05
Book 2023ircle going from Munro to Poe and then back again, offering novel readings of works by well-known authors that are contextualized under the umbrella of the theme. Anchored in a well-known topic and genre, but with a specific phenomenological framework, this book will be of interest to both students and more advanced scholars.?.作者: 暴露他抗議 時(shí)間: 2025-3-22 14:51 作者: 暴露他抗議 時(shí)間: 2025-3-22 20:28
Book 2023rn as well as older gothic narratives and it has a unique focus on everyday gothic as well as everyday hauntology. The chapters perform a historical circle going from Munro to Poe and then back again, offering novel readings of works by well-known authors that are contextualized under the umbrella o作者: 大門在匯總 時(shí)間: 2025-3-23 01:03
2634-6214 l-known authors that are contextualized under the umbrella of the theme. Anchored in a well-known topic and genre, but with a specific phenomenological framework, this book will be of interest to both students and more advanced scholars.?.978-3-031-41113-7978-3-031-41111-3Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: infarct 時(shí)間: 2025-3-23 02:17 作者: nauseate 時(shí)間: 2025-3-23 06:52
Bile Acids and TGR5 (Gpbar1) Signaling,tset, it may be vulnerable to contemptuous arguments that would attempt to disqualify the concept from the start. Hauntology seems to invoke some kind of ‘a(chǎn)nything-goes’ attitude in relation to literary texts and other cultural artefacts. For example, as noted by Elisabeth M. Loevlie:作者: Initiative 時(shí)間: 2025-3-23 12:21 作者: defibrillator 時(shí)間: 2025-3-23 15:22 作者: Jogging 時(shí)間: 2025-3-23 19:23 作者: Leaven 時(shí)間: 2025-3-24 02:02
Joakim WrethedAnchored in a well-known topic and genre with a phenomenological approach that offers novel readings of renowned primary material.Gives a good overview of what one can expect hauntology to ‘do’ within作者: neutralize 時(shí)間: 2025-3-24 02:25
978-3-031-41113-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 老人病學(xué) 時(shí)間: 2025-3-24 07:57
Gothic Hauntology978-3-031-41111-3Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: RENAL 時(shí)間: 2025-3-24 10:48
,Introduction: “Avaunt! And Quit My Sight! Let the Earth Hide Thee!”,when speaking of ghosts and such an ephemeral concept. ‘Gothic hauntology’ actually sounds like a tautology. This is so mainly because of the massive presence of the past as a general ontological feature and pervasive narratological function within this particular genre of literature. Speaking with 作者: aviator 時(shí)間: 2025-3-24 17:25 作者: Engaged 時(shí)間: 2025-3-24 20:13 作者: 下邊深陷 時(shí)間: 2025-3-24 23:11
,“Nothing Is but What Is Not”: Spectral Temporality and Hauntology in Selected Works by Edgar Allan untological traits as for instance guilt and trauma. There are two juxtaposable and yet intimately interrelated aspects of the Poesque hauntology. One dimension is commonsensical and rather easily accessible, while the other is more subtle. The former makes manifest what functions as guilt in indivi作者: 朝圣者 時(shí)間: 2025-3-25 04:42
,“The Gray Pool and Its Blank, Haunted Edge”: The Hauntology of Indeterminacy in Henry James’s ,arrative clearly incarnate the hauntological function to its fullest possible potential. In the phenomenology of vision implemented in the prose fiction, one can witness how limitrophy and thereby hauntology operate on a very primordial perceptual level. James’s story emphatically makes manifest two作者: 叫喊 時(shí)間: 2025-3-25 11:08 作者: capillaries 時(shí)間: 2025-3-25 12:06 作者: insomnia 時(shí)間: 2025-3-25 16:06
,Concluding Remarks: “I Can Feel My Lost Child Surfacing Within Me”,. Similar to Freud’s notion of ‘the uncanny’, the concept itself is ghost-like. Already on a very basic level it comes into conflict with more established analytical tools and methods. For instance, boundaries and categories are necessary to uphold some kind of order and an ontological overview of t作者: constellation 時(shí)間: 2025-3-25 23:20 作者: 貧困 時(shí)間: 2025-3-26 02:00 作者: Definitive 時(shí)間: 2025-3-26 04:32
https://doi.org/10.1007/978-1-4613-9249-1nd the haunting. This paradoxical configuration makes it a special and highly attractive gothic figure. It seems to exist solely to transgress boundaries, since it in itself contains a transgression and disturbance of the dichotomy man–animal. Following further on Derrida’s hauntology and animal phi作者: INCH 時(shí)間: 2025-3-26 12:25
https://doi.org/10.1007/978-3-7091-5637-7untological traits as for instance guilt and trauma. There are two juxtaposable and yet intimately interrelated aspects of the Poesque hauntology. One dimension is commonsensical and rather easily accessible, while the other is more subtle. The former makes manifest what functions as guilt in indivi作者: BRAVE 時(shí)間: 2025-3-26 14:07
https://doi.org/10.1007/978-1-4899-1161-2arrative clearly incarnate the hauntological function to its fullest possible potential. In the phenomenology of vision implemented in the prose fiction, one can witness how limitrophy and thereby hauntology operate on a very primordial perceptual level. James’s story emphatically makes manifest two作者: intrude 時(shí)間: 2025-3-26 20:41 作者: 牛的細(xì)微差別 時(shí)間: 2025-3-26 20:56 作者: Metastasis 時(shí)間: 2025-3-27 05:03 作者: 眼界 時(shí)間: 2025-3-27 09:22 作者: 地名表 時(shí)間: 2025-3-27 09:36 作者: 帶來 時(shí)間: 2025-3-27 14:43
https://doi.org/10.1007/978-1-4899-1161-2erms, it seems undoubtable that something is there—speaking in general philosophical terms—but it is equally certain that it is difficult to know exactly what it is that is there. The ghost fills this position and thereby it functions in a very adequate way.作者: 老巫婆 時(shí)間: 2025-3-27 18:27 作者: HUSH 時(shí)間: 2025-3-27 23:38
,Introduction: “Avaunt! And Quit My Sight! Let the Earth Hide Thee!”, of the past or perhaps even a particular character—which a protagonist thought was forever left behind in her or his life—suddenly reappears and brings all of that troubled history back. Such a re-emergence of the past potentially calls for different theoretical frameworks, which a quick glance at 作者: 是貪求 時(shí)間: 2025-3-28 05:04 作者: Expertise 時(shí)間: 2025-3-28 07:41
,“The Gray Pool and Its Blank, Haunted Edge”: The Hauntology of Indeterminacy in Henry James’s ,erms, it seems undoubtable that something is there—speaking in general philosophical terms—but it is equally certain that it is difficult to know exactly what it is that is there. The ghost fills this position and thereby it functions in a very adequate way.作者: obstruct 時(shí)間: 2025-3-28 13:06 作者: Alpha-Cells 時(shí)間: 2025-3-28 14:38 作者: debacle 時(shí)間: 2025-3-28 20:19
