標(biāo)題: Titlebook: Gender and Ventriloquism in Victorian and Neo-Victorian Fiction; Passionate Puppets Helen Davies Book 2012 Palgrave Macmillan, a division o [打印本頁(yè)] 作者: 漏出 時(shí)間: 2025-3-21 20:01
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作者: debase 時(shí)間: 2025-3-21 21:33 作者: Heart-Rate 時(shí)間: 2025-3-22 00:35 作者: Obloquy 時(shí)間: 2025-3-22 07:18 作者: hair-bulb 時(shí)間: 2025-3-22 11:01 作者: 倔強(qiáng)一點(diǎn) 時(shí)間: 2025-3-22 14:34
Bandar al-Hajjar,John R. Presleyurier’s . feature women with compelling voices, the origin of ‘voice’ and the agency associated with the exercise of oral/aural influence is ultimately located in masculine ventriloquist figures such as Basil Ransom and Svengali. Verena Tarrant and Trilby O’Farrell are represented as feminized ‘dumm作者: 倔強(qiáng)一點(diǎn) 時(shí)間: 2025-3-22 17:24
https://doi.org/10.1057/9781137396969ineteenth-century narratives of ventriloquism. The poem’s speaker and his female companion are described as walking along a moonlit street and pausing outside a brothel. They hear the strains of music playing inside, and witness the shadows of dancers against the blinds: ‘Like strange mechanical gro作者: Kinetic 時(shí)間: 2025-3-22 21:26 作者: 人充滿活力 時(shí)間: 2025-3-23 02:20 作者: regale 時(shí)間: 2025-3-23 08:46
978-1-349-34477-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: 招待 時(shí)間: 2025-3-23 12:43 作者: Keshan-disease 時(shí)間: 2025-3-23 17:29 作者: 符合國(guó)情 時(shí)間: 2025-3-23 19:22
plores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.978-1-349-34477-2978-1-137-27116-7作者: 蠟燭 時(shí)間: 2025-3-24 00:53
plores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.978-1-349-34477-2978-1-137-27116-7作者: Stress 時(shí)間: 2025-3-24 04:50
https://doi.org/10.1057/9781137396969 outside a brothel. They hear the strains of music playing inside, and witness the shadows of dancers against the blinds: ‘Like strange mechanical grotesques’ (Wilde, 2003, p. 867). The speaker continues:作者: offense 時(shí)間: 2025-3-24 09:59
Queering the Dummy/ Ventriloquist Dichotomy: Oscar Wilde and Ventriloquial Influence, outside a brothel. They hear the strains of music playing inside, and witness the shadows of dancers against the blinds: ‘Like strange mechanical grotesques’ (Wilde, 2003, p. 867). The speaker continues:作者: Aggressive 時(shí)間: 2025-3-24 11:21 作者: calorie 時(shí)間: 2025-3-24 15:08
Bandar al-Hajjar,John R. Presleye are moments when the narrative self-consciously acknowledges the process of the textual construction of ‘voice’. Verena has been invited to speak on the topic of women’s rights at the home of Mrs Burrage and although we are party to a brief example of her rhetoric, her performance is abruptly interrupted by the narrator:作者: 影響深遠(yuǎn) 時(shí)間: 2025-3-24 20:46 作者: Muscularis 時(shí)間: 2025-3-25 02:50
Introduction: The Victorians for Dummies? Talking Back to the Nineteenth Century,se multiple implications of ‘talking back’. Neo-Victorian fiction suggests that there is a palpable desire to respond to the Victorians in some way, to answer back to the society and culture of this era.作者: 新娘 時(shí)間: 2025-3-25 04:02
Sirens and Svengalis: , and ,e are moments when the narrative self-consciously acknowledges the process of the textual construction of ‘voice’. Verena has been invited to speak on the topic of women’s rights at the home of Mrs Burrage and although we are party to a brief example of her rhetoric, her performance is abruptly interrupted by the narrator:作者: fulmination 時(shí)間: 2025-3-25 10:18 作者: 條街道往前推 時(shí)間: 2025-3-25 15:17 作者: 薄膜 時(shí)間: 2025-3-25 17:46 作者: 我要沮喪 時(shí)間: 2025-3-25 23:18 作者: GRATE 時(shí)間: 2025-3-26 02:01 作者: 袋鼠 時(shí)間: 2025-3-26 08:09 作者: 上腭 時(shí)間: 2025-3-26 08:45
,Sexual Re-scripting: Ventriloquial Repetitions and Transformations in Sarah Waters’ ,ly expressed concern about her sense of indebtedness to prior authorial voices. In an interview with John O’Connell for . magazine, she remarks: ‘I’ve got a slight anxiety that all I can do as a writer is ventriloquize, that I haven’t got a voice of my own’ (O’Connell, 2006, p. 18). Interestingly, W作者: GEON 時(shí)間: 2025-3-26 13:10
Afterword: Voices Beyond the Victorian Era? Wesley Stace and Ventriloquism,dummy stage performance in Chapter 1 explained, it is really never the ‘dummy’ speaking, but a knowing illusion on the part of the ventriloquist and a willing self-deception on the part of the audience. An attempt to have ‘the last word’ on any topic, particularly on such elusive matters as gender c作者: 施加 時(shí)間: 2025-3-26 18:30
https://doi.org/10.1007/978-1-349-11727-7ventriloquism and ‘copying’ in the context of neo-Victorianism. For instance, Catherine Bernard argues that the ‘pervading presence’ of ventriloquism in contemporary fiction suggests: ‘The very concept of creativeness seems to have become depleted and replaced with a weaker version of invention that作者: bronchodilator 時(shí)間: 2025-3-26 21:07
Business and Consumer Analytics: New Ideast as opposed to the manifestation of supernatural forces (Vox, 1981, p. 47) and we can see that this correlates with the eighteenth century’s increased questioning of and scepticism towards superstition. Ventriloquism became a mainstay of travelling fairs and outdoor markets.作者: 南極 時(shí)間: 2025-3-27 02:01
Business and Environmental Risksever, Mark Wormald’s chapter on Sarah Waters’ neo-Victorian novels comments upon ‘the literary and cultural paradigms of a period Waters knows well enough to ventriloquize and thus to test’ (Wormald, 2006, p. 187). His remark echoes this book’s sustained argument that ventriloquial repetition has th作者: Ethics 時(shí)間: 2025-3-27 07:23
Gender and Ventriloquism in Victorian and Neo-Victorian FictionPassionate Puppets作者: 種屬關(guān)系 時(shí)間: 2025-3-27 10:55
Gender and Ventriloquism in Victorian and Neo-Victorian Fiction978-1-137-27116-7作者: Metamorphosis 時(shí)間: 2025-3-27 16:41 作者: Bone-Scan 時(shí)間: 2025-3-27 17:51 作者: AGGER 時(shí)間: 2025-3-27 23:37 作者: 使虛弱 時(shí)間: 2025-3-28 05:46 作者: Kidney-Failure 時(shí)間: 2025-3-28 09:29
sults on the real-world KITTI dataset. To testify that GMA3D is still beneficial to non-occluded scene flow, we also conducted experiments on non-occluded version datasets and achieved promising performance on FlyThings3D and KITTI. The code is available at ..作者: OVERT 時(shí)間: 2025-3-28 13:50 作者: 錫箔紙 時(shí)間: 2025-3-28 15:24 作者: 收養(yǎng) 時(shí)間: 2025-3-28 21:16
