標題: Titlebook: G. K. Chesterton: Explorations in Allegory; Lynette Hunter Book 1979 Lynette Hunter 1979 Britain.fiction.history of literature.literature. [打印本頁] 作者: Polk 時間: 2025-3-21 18:29
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作者: Perigee 時間: 2025-3-21 22:12
B. Haschberger,J. Hesse,M. Heiden,R. Seitzthat during these years the central theme of the total interrelationship between inspiration, life and art, was being transformed into that of the interrelationship of religion, morality and expression.作者: Anthropoid 時間: 2025-3-22 01:42
Future Outlooks and Conclusions, has no verbal obligations to society, and the mystic artist who must communicate analogically through sound, speech or matter. The two artists each extend one half of the duality of the artist found in .. The pure artist is primarily creative, while the mystic artist primarily interpretive.作者: 鞭子 時間: 2025-3-22 06:42 作者: 很像弓] 時間: 2025-3-22 11:56 作者: outrage 時間: 2025-3-22 13:32
,Encampment: 1912–1918, has no verbal obligations to society, and the mystic artist who must communicate analogically through sound, speech or matter. The two artists each extend one half of the duality of the artist found in .. The pure artist is primarily creative, while the mystic artist primarily interpretive.作者: outrage 時間: 2025-3-22 17:24 作者: 確認 時間: 2025-3-22 22:32 作者: legislate 時間: 2025-3-23 02:01
3D Automated Breast Volume Sonographyhe Wild Knight. The author recognised the positive value of the Wild Knight, and the decision to destroy him contradicts this awareness. Yet the conflict in the style indicates an intuitive knowledge that something is unbalanced.作者: SUE 時間: 2025-3-23 08:35
https://doi.org/10.1007/978-3-319-72742-4l insanity. However, by 1925 the problem they posed did not exist for him personally. In the 1925 foreword to the dramatised version of . he notes:.He continues by saying that the world in 1925 is different; it may even be breaking up, but the destruction may let in some fresh air.作者: Madrigal 時間: 2025-3-23 09:43
,Mapping the Artistic Terrain: 1904–1907,he Wild Knight. The author recognised the positive value of the Wild Knight, and the decision to destroy him contradicts this awareness. Yet the conflict in the style indicates an intuitive knowledge that something is unbalanced.作者: isotope 時間: 2025-3-23 16:02
,Survey: 1925–1935,l insanity. However, by 1925 the problem they posed did not exist for him personally. In the 1925 foreword to the dramatised version of . he notes:.He continues by saying that the world in 1925 is different; it may even be breaking up, but the destruction may let in some fresh air.作者: 執(zhí)拗 時間: 2025-3-23 20:09 作者: synovitis 時間: 2025-3-23 22:48
Update of the Inhibitor-Immunology-Studye incomprehension of the contemporary readers was largely a direct result of the poet’s experimentation with a new form that was only partially successful. Not surprisingly, the form was a combination of the techniques of emblem and metaphor that were the subject of his early critical discussion on style.作者: 表示向下 時間: 2025-3-24 02:51 作者: gratify 時間: 2025-3-24 07:07 作者: 鞭子 時間: 2025-3-24 12:24 作者: elucidate 時間: 2025-3-24 17:15
Julian Windscheid,Bernadette Goldained the seeds for future developments in the criticism. But the major works of criticism, with their conscious examination and expansion of the artistic ideas, seem to have been necessary to leave the way free for the artist to find new modes of expression. Chesterton’s early artistic work (1891–1作者: Harbor 時間: 2025-3-24 20:34 作者: facetious 時間: 2025-3-25 02:09
B. Haschberger,J. Hesse,M. Heiden,R. Seitze conscious and unconscious control of form. But Chesterton soon realised that the resolution was peculiar to Browning; and he moved on in his criticism of 1904–7 to a further search for different modes of expression. Although he now travelled on a more defined path, it is important to keep in mind 作者: addict 時間: 2025-3-25 05:41
3D Automated Breast Volume Sonographylict between the conscious control of the writer through emblem, and the unconscious control that allowed for spontaneity within metaphor. However, the content of the poem implied that spontaneity had to be destroyed completely in order to avoid the danger of anarchy and chaos. At the root of this d作者: 內(nèi)部 時間: 2025-3-25 08:02
3D Ear Feature Extraction and Recognitionlso during 1907 he was writing the statement of his acceptance of the Anglo-Catholic church: .. Not surprisingly the book was written in answer to a reviewer of ., G. S. Street, who challenged Chesterton to state an alternative dogma. In . Chesterton not only provides the first consistent background作者: Infuriate 時間: 2025-3-25 14:26 作者: 不如樂死去 時間: 2025-3-25 18:05
https://doi.org/10.1007/978-3-030-23906-0rations of the application of sacrament in all subjects. They also tend to be too stridently personal, especially in their condemnation of Germany during the Great War. The loss in critical objectivity and calibre is partly due to the stresses that led to the author’s breakdown of 1914–15 when he la作者: infelicitous 時間: 2025-3-25 23:37
Introduction: Stereoscopic Illusions,e story. At the heart of the Father Brown stories is the theme of ‘mental and moral morbidity’ that is mentioned in ., and which initiated and defined much of the subsequent development of religious and artistic ideas. We have seen the concept hinted at in ., as the fear which Christianity stopped w作者: 喃喃訴苦 時間: 2025-3-26 03:56 作者: capsaicin 時間: 2025-3-26 04:18
https://doi.org/10.1007/978-1-349-16117-1Britain; fiction; history of literature; literature; twentieth century; British and Irish Literature作者: 集合 時間: 2025-3-26 12:13
Overview: 978-1-349-16119-5978-1-349-16117-1作者: stratum-corneum 時間: 2025-3-26 13:35
https://doi.org/10.1007/978-3-030-23906-0en though Chesterton’s own abilities lay in rather different directions. However, the books of this period do bear out the solidity of his belief; and are interesting in picturing the total interdependence of all aspects of his life.作者: Arthropathy 時間: 2025-3-26 20:23
Introduction: Stereoscopic Illusions,t vivid problems of the soul’ and made him feel that he had ‘not found any real spiritual solution of them’. The solution he found in turning to the Catholic church was based on the necessity for accepting external reality because of the existence of an external authority. The Father Brown stories c作者: Eviction 時間: 2025-3-26 21:43
,New Explorations: 1918–1925,en though Chesterton’s own abilities lay in rather different directions. However, the books of this period do bear out the solidity of his belief; and are interesting in picturing the total interdependence of all aspects of his life.作者: 乏味 時間: 2025-3-27 03:30
,Inner Landscapes: 1900–1935,t vivid problems of the soul’ and made him feel that he had ‘not found any real spiritual solution of them’. The solution he found in turning to the Catholic church was based on the necessity for accepting external reality because of the existence of an external authority. The Father Brown stories c作者: Interim 時間: 2025-3-27 06:37
Early Landscapes,tionately large key of a shining yellow metal and wore a large golden or gilded crown’. As he himself realised the image was a summation of the explorations of his life. It reflected the sense of immanent danger on either side of the bridge and the possibility of achieving an understanding of his li作者: 英寸 時間: 2025-3-27 10:50
,Confused Trails: 1898–1903,ained the seeds for future developments in the criticism. But the major works of criticism, with their conscious examination and expansion of the artistic ideas, seem to have been necessary to leave the way free for the artist to find new modes of expression. Chesterton’s early artistic work (1891–1作者: 我沒有強迫 時間: 2025-3-27 14:42
,Artistic Explorations: 1892–1900,et was heavily criticised for obscurity. But it represents an effort to break away from the dominating forms of his early poetry and short stories. The incomprehension of the contemporary readers was largely a direct result of the poet’s experimentation with a new form that was only partially succes作者: 全神貫注于 時間: 2025-3-27 21:10 作者: 故意釣到白楊 時間: 2025-3-28 00:55 作者: convert 時間: 2025-3-28 03:42 作者: folliculitis 時間: 2025-3-28 08:37 作者: scoliosis 時間: 2025-3-28 14:26 作者: 寒冷 時間: 2025-3-28 16:03 作者: moratorium 時間: 2025-3-28 20:44
,Survey: 1925–1935,the extensive essay ‘Is Humanism a Religion?’ in 1929, he indicates a serious concern with the dangers of human authority. The absolute human creativity implicit for him in the art and philosophy of the nineties split into the twin evils of the aesthetes with their hedonism and pessimism and the did
