派博傳思國際中心

標(biāo)題: Titlebook: Ecoscenography; An Introduction to E Tanja Beer Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sprin [打印本頁]

作者: 葉子    時(shí)間: 2025-3-21 17:07
書目名稱Ecoscenography影響因子(影響力)




書目名稱Ecoscenography影響因子(影響力)學(xué)科排名




書目名稱Ecoscenography網(wǎng)絡(luò)公開度




書目名稱Ecoscenography網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Ecoscenography被引頻次




書目名稱Ecoscenography被引頻次學(xué)科排名




書目名稱Ecoscenography年度引用




書目名稱Ecoscenography年度引用學(xué)科排名




書目名稱Ecoscenography讀者反饋




書目名稱Ecoscenography讀者反饋學(xué)科排名





作者: 粘土    時(shí)間: 2025-3-21 22:10
Ecological Thinking,actice within the broader system of ecological organisation. By reviewing literature from a variety of fields across systems thinking, environmental humanities, ecomaterialism, more-than-human ontologies, Indigenous knowledge systems and aesthetics, the chapter examines how expanded ideas of materia
作者: malapropism    時(shí)間: 2025-3-22 04:12
Ecological Practice,n which theatre makers might move beyond eco-efficiencies or ‘less bad’ consequences to integrate design processes that are in tune with living systems. The chapter introduces key ecological design movements—biophilic design, circular design, eco-effective design, bio-inspired design, ecological des
作者: aqueduct    時(shí)間: 2025-3-22 04:33

作者: Forage飼料    時(shí)間: 2025-3-22 10:54
Two Case Studies in Ecoscenography,ional theatre practice. These projects are examined through the Ecoscenography framework (outlined in Chap.?.) and demonstrate the regenerative potential of performance design to contribute to the socio-ecological health of place. Opportunities for conducting Ecoscenography in the expanded realm are
作者: Prostaglandins    時(shí)間: 2025-3-22 16:51

作者: Prostaglandins    時(shí)間: 2025-3-22 18:05

作者: 偽造者    時(shí)間: 2025-3-22 21:52
Bodo B?se,Erhard Flieger,Matthias Temmeactice within the broader system of ecological organisation. By reviewing literature from a variety of fields across systems thinking, environmental humanities, ecomaterialism, more-than-human ontologies, Indigenous knowledge systems and aesthetics, the chapter examines how expanded ideas of materia
作者: Abrade    時(shí)間: 2025-3-23 04:58

作者: Ankylo-    時(shí)間: 2025-3-23 07:15

作者: 離開就切除    時(shí)間: 2025-3-23 11:58

作者: 是限制    時(shí)間: 2025-3-23 17:46

作者: 永久    時(shí)間: 2025-3-23 18:55

作者: A簡潔的    時(shí)間: 2025-3-24 01:23
978-981-16-7180-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
作者: 描述    時(shí)間: 2025-3-24 04:31

作者: 撫慰    時(shí)間: 2025-3-24 06:56
http://image.papertrans.cn/e/image/302131.jpg
作者: 經(jīng)典    時(shí)間: 2025-3-24 12:17
https://doi.org/10.1007/978-3-642-17150-5 query what an ecological approach to scenography ., how it influences our ways of thinking and doing. Drawing upon contemporary understandings of the field, the concept of ‘Ecoscenography’ is introduced, the fundamental tenets of which are investigated in the subsequent chapters of the book.
作者: STIT    時(shí)間: 2025-3-24 16:53

作者: violate    時(shí)間: 2025-3-24 22:03
Food Restriction, Hormones, Genes and Aging practice across the globe and grapples with emerging patterns and processes that are changing the way we make theatre. It argues that integrating ecological thinking into theatre pedagogy and creativity is essential to guiding a more sustainable future.
作者: RACE    時(shí)間: 2025-3-25 02:50

作者: creditor    時(shí)間: 2025-3-25 06:44

作者: Amorous    時(shí)間: 2025-3-25 11:10
Conclusion, practice across the globe and grapples with emerging patterns and processes that are changing the way we make theatre. It argues that integrating ecological thinking into theatre pedagogy and creativity is essential to guiding a more sustainable future.
作者: Overdose    時(shí)間: 2025-3-25 14:20

作者: 即席    時(shí)間: 2025-3-25 19:49
Bodo B?se,Erhard Flieger,Matthias Temmetential. Notions of phenomenological, ecological and evolutionary aesthetics are introduced as an important framework for sustainable design, along with examples of how eco-creativity can be incorporated into theatre practice.
作者: THE    時(shí)間: 2025-3-26 00:02
https://doi.org/10.1057/9780230288805es and barriers to implementing sustainability it argues that Ecoscenography opens up avenues for exploration in both conventional practice and more expansive areas of scenographic activation, encompassing novel ways through which scenographies are designed, constructed and distributed.
作者: legacy    時(shí)間: 2025-3-26 03:54
The Swap: From Treasury to Home Office,inspiration from Transitions Theory, Ecoscenography is positioned as a ‘radical approach that is not rushed’, where ideas of contribution move beyond limited ideas of impact mitigation to contribute positively to the world beyond the theatre.
作者: 可觸知    時(shí)間: 2025-3-26 04:25

作者: 教育學(xué)    時(shí)間: 2025-3-26 10:03
Ecological Practice,es and barriers to implementing sustainability it argues that Ecoscenography opens up avenues for exploration in both conventional practice and more expansive areas of scenographic activation, encompassing novel ways through which scenographies are designed, constructed and distributed.
作者: 做方舟    時(shí)間: 2025-3-26 13:20

作者: Atheroma    時(shí)間: 2025-3-26 20:04
Book 2021raphy. weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal eng
作者: placebo    時(shí)間: 2025-3-27 00:20

作者: AFFIX    時(shí)間: 2025-3-27 01:35

作者: orthopedist    時(shí)間: 2025-3-27 06:15
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作者: brachial-plexus    時(shí)間: 2025-3-27 10:52
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作者: 遺傳    時(shí)間: 2025-3-27 15:34
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作者: Carminative    時(shí)間: 2025-3-27 21:16
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作者: 花費(fèi)    時(shí)間: 2025-3-28 00:37
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