派博傳思國際中心

標(biāo)題: Titlebook: E. B. White; The Essayist as Firs G. Douglas Atkins Book 2012 G. Douglas Atkins 2012 America.construction.essay.nature.poetics.politics.rec [打印本頁]

作者: 無法生存    時間: 2025-3-21 17:04
書目名稱E. B. White影響因子(影響力)




書目名稱E. B. White影響因子(影響力)學(xué)科排名




書目名稱E. B. White網(wǎng)絡(luò)公開度




書目名稱E. B. White網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱E. B. White被引頻次




書目名稱E. B. White被引頻次學(xué)科排名




書目名稱E. B. White年度引用




書目名稱E. B. White年度引用學(xué)科排名




書目名稱E. B. White讀者反饋




書目名稱E. B. White讀者反饋學(xué)科排名





作者: GLADE    時間: 2025-3-21 23:12

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作者: 使饑餓    時間: 2025-3-23 06:47
Preliminary study and main survey,st of the normal tides of acquisition,” he writes, “in this age of additives.”. Morality is involved, as Henry knew, and Andy acknowledges that “I have too weak a character to throw” away one memento after another.. Still, he presses on, the melancholic fit descending.
作者: 泛濫    時間: 2025-3-23 12:52

作者: 鞭打    時間: 2025-3-23 14:52
The Modern Executive Tames Obamad),. and eventually the academy began to take notice, grudgingly, admitting the essay to the pantheon of the genres: the essay was “the fourth genre,” claimed a new periodical devoted to the essay’s wares.
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The Modern Executive Tames Obamarutch offered, a bit prematurely, not so much its obituary as a postmortem, while seeming to affirm the values of the now-enfranchised (definite) ., with its premium on the impersonal, the professional, and the informational: “No Essays, Please!”—and good riddance.. By the end of the century, as ear
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https://doi.org/10.1057/9781137015068America; construction; essay; nature; poetics; politics; recording; trumpet; writing
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作者: 創(chuàng)造性    時間: 2025-3-25 22:32
Introduction,rutch offered, a bit prematurely, not so much its obituary as a postmortem, while seeming to affirm the values of the now-enfranchised (definite) ., with its premium on the impersonal, the professional, and the informational: “No Essays, Please!”—and good riddance.. By the end of the century, as ear
作者: 多樣    時間: 2025-3-26 03:11
Coming into White Country,of so much of our most revered literature in the West. Getting (back) home is the great theme, of course, of one of the first poems, Homer’s ., the story of a twenty-plus-year ordeal. “Home is where one starts from,” writes T. S. Eliot in ., which becomes the story of returning there, because, parad
作者: Fsh238    時間: 2025-3-26 05:03

作者: 某人    時間: 2025-3-26 09:05
,Of Nature, Maine, and Meaning: or “The Pageantry of Peas” and the Poetics of Adversity,ity!’ has the insistence of a fire alarm.”. It comes as no surprise, then, that in preparing to leave Forty-eighth Street, New York City, for Allen Cove, Maine, White devotes an essay—which receives pride of place in the selected .—to the difficulties of letting go. “It is not possible to keep abrea
作者: Opponent    時間: 2025-3-26 16:15
Strange Bedfellows,ded the three essays reprinted as the John Day pamphlet . (1933) and the “paragraphs” (a.k.a. editorials) on world government between 1943 and 1946, published together that last year as .. White reprinted in his 1977 . four political pieces from the . as the second section, titled “The Planet”: in o
作者: 分發(fā)    時間: 2025-3-26 20:19
Postscript,our of us, along with two eggs over medium, home fries, homemade bread, homemade jam, and homemade raspberry buns. We faced a three-hour drive from Sherman, way up north, 40 miles from Canada, to the coast southeast of Bangor. I was searching for E. B. White’s salt meadow farm, where he lived and wr
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