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標題: Titlebook: Drones and the Annihilation-Image in Contemporary Warfare ; The Case of ‘Eye in Gabriel F.Caetano Book 2024 The Editor(s) (if applicable) [打印本頁]

作者: 縮寫    時間: 2025-3-21 18:47
書目名稱Drones and the Annihilation-Image in Contemporary Warfare 影響因子(影響力)




書目名稱Drones and the Annihilation-Image in Contemporary Warfare 影響因子(影響力)學(xué)科排名




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書目名稱Drones and the Annihilation-Image in Contemporary Warfare 網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Drones and the Annihilation-Image in Contemporary Warfare 被引頻次




書目名稱Drones and the Annihilation-Image in Contemporary Warfare 被引頻次學(xué)科排名




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書目名稱Drones and the Annihilation-Image in Contemporary Warfare 年度引用學(xué)科排名




書目名稱Drones and the Annihilation-Image in Contemporary Warfare 讀者反饋




書目名稱Drones and the Annihilation-Image in Contemporary Warfare 讀者反饋學(xué)科排名





作者: 不利    時間: 2025-3-21 22:11

作者: dura-mater    時間: 2025-3-22 02:31
2946-5559 he links between Washington and Hollywood.re-conceptualizes .This book analyses the entanglement between Washington and Hollywood to shed light on the violence inherent in the image as a semiotic-material agent in contemporary warfare. In the 21st century, the weaponized military drone, an image-cen
作者: 不可侵犯    時間: 2025-3-22 05:52
Richard Hautmann,Hartwig Huland and when the drone emerged. It is worth noting that the drone as an artifact is the result of socio-technical fruition that, for centuries, has informed protean ways of waging war and updating violence from a distance.
作者: fastness    時間: 2025-3-22 09:28

作者: 凌辱    時間: 2025-3-22 16:39
Thinking and Writing (Politics) Cinematically: The Cinematic Mode of Political Theorizing,ortance in the creative process that explores the entanglement between Washington and Hollywood. In the first instance, I argue that the way the discipline of International Relations approaches cinema must go beyond using images as a mirror of reality, that is, in their representational form.
作者: 凌辱    時間: 2025-3-22 20:22
Aesthetics and International Relations: An Overview of Sensible Politics,n repertoire of the IR discipline. Among the concepts mobilized by IR to try to explain or understand the phenomena of international politics, these categories, as we will see, have historically occupied no more than a place on the margins of the field.
作者: 厭食癥    時間: 2025-3-22 22:04
Drones: A Visual, Vertical, and Virtual Genealogy,n” or a definitive, divine, mythical, or privileged position (Said, E. W. in Beginnings: Intention and method. Columbia University Press, 1985) on how and when the drone emerged. It is worth noting that the drone as an artifact is the result of socio-technical fruition that, for centuries, has infor
作者: 的染料    時間: 2025-3-23 03:05
Washington and Hollywood: An Entanglement,antasmagoria, a hallucination… it can also be a practical, haptic effect, a symptom, a living structure. The fact is that images permeate all social layers and manifest in various political phenomena, including, of course, war.
作者: 意外    時間: 2025-3-23 07:05
Becoming-Drone: From Military Scopophilia to Annihilation-image, Sky (2015) to demonstrate, through the concept of the ., how drone violence moves from representation to destruction. In annihilation-image, ways of seeing and forms of annihilating are superimposed; the image in/of war is no longer passive and reflective, but active and diffractive, suggesting tha
作者: 偏離    時間: 2025-3-23 12:22
Drones in the Age of Excessive Autonomy: Concluding Remarks,nomous weapon systems (Docherty, B. L. in Losing humanity: The Case Against Killer Robots. Human Rights Watch, 2012), which the U.S. Department of Defence (2023, p. 21) understands as “A weapon system that, once activated, can select and engage targets without further intervention by an operator”.
作者: BILL    時間: 2025-3-23 14:49
Drones and the Annihilation-Image in Contemporary Warfare 978-3-031-70435-2Series ISSN 2946-5559 Series E-ISSN 2946-5567
作者: insipid    時間: 2025-3-23 19:07
https://doi.org/10.1007/978-90-313-6622-4nd when we come across a pile of orange trees, scattered at our feet like an assassin’s victims, we know that we are lucky. They were mistaken for us. Death is so close that it doesn’t see you anymore. It mistakes you for trees, and trees for you. You pray in thanks for this strange fog, this blindness.
作者: 截斷    時間: 2025-3-23 22:44
https://doi.org/10.1007/978-90-313-7241-6ortance in the creative process that explores the entanglement between Washington and Hollywood. In the first instance, I argue that the way the discipline of International Relations approaches cinema must go beyond using images as a mirror of reality, that is, in their representational form.
作者: Instinctive    時間: 2025-3-24 03:31
https://doi.org/10.1007/3-540-29924-6n repertoire of the IR discipline. Among the concepts mobilized by IR to try to explain or understand the phenomena of international politics, these categories, as we will see, have historically occupied no more than a place on the margins of the field.
作者: Decrepit    時間: 2025-3-24 09:39
https://doi.org/10.1007/978-3-642-70313-3antasmagoria, a hallucination… it can also be a practical, haptic effect, a symptom, a living structure. The fact is that images permeate all social layers and manifest in various political phenomena, including, of course, war.
作者: armistice    時間: 2025-3-24 12:54
Akute und chronische Urtikaria,nomous weapon systems (Docherty, B. L. in Losing humanity: The Case Against Killer Robots. Human Rights Watch, 2012), which the U.S. Department of Defence (2023, p. 21) understands as “A weapon system that, once activated, can select and engage targets without further intervention by an operator”.
作者: Injunction    時間: 2025-3-24 17:53
https://doi.org/10.1007/978-3-031-70435-2Annihilation-image; Drones; War; Cinema; Technology; Eye in the Sky
作者: 旋轉(zhuǎn)一周    時間: 2025-3-24 22:05
978-3-031-70437-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: organic-matrix    時間: 2025-3-25 00:35

作者: lacrimal-gland    時間: 2025-3-25 07:16
https://doi.org/10.1007/978-90-313-7241-6ortance in the creative process that explores the entanglement between Washington and Hollywood. In the first instance, I argue that the way the discipline of International Relations approaches cinema must go beyond using images as a mirror of reality, that is, in their representational form.
作者: 本能    時間: 2025-3-25 09:17
https://doi.org/10.1007/3-540-29924-6n repertoire of the IR discipline. Among the concepts mobilized by IR to try to explain or understand the phenomena of international politics, these categories, as we will see, have historically occupied no more than a place on the margins of the field.
作者: Flirtatious    時間: 2025-3-25 14:42
Richard Hautmann,Hartwig Hulandn” or a definitive, divine, mythical, or privileged position (Said, E. W. in Beginnings: Intention and method. Columbia University Press, 1985) on how and when the drone emerged. It is worth noting that the drone as an artifact is the result of socio-technical fruition that, for centuries, has infor
作者: sclera    時間: 2025-3-25 17:54
https://doi.org/10.1007/978-3-642-70313-3antasmagoria, a hallucination… it can also be a practical, haptic effect, a symptom, a living structure. The fact is that images permeate all social layers and manifest in various political phenomena, including, of course, war.
作者: 外形    時間: 2025-3-25 22:12
Urticarial Vasculitis Syndrome, Sky (2015) to demonstrate, through the concept of the ., how drone violence moves from representation to destruction. In annihilation-image, ways of seeing and forms of annihilating are superimposed; the image in/of war is no longer passive and reflective, but active and diffractive, suggesting tha
作者: heterogeneous    時間: 2025-3-26 02:04

作者: Invigorate    時間: 2025-3-26 04:22

作者: bacteria    時間: 2025-3-26 09:25

作者: 天文臺    時間: 2025-3-26 15:53

作者: 里程碑    時間: 2025-3-26 20:01

作者: 輕浮女    時間: 2025-3-26 23:34

作者: Stable-Angina    時間: 2025-3-27 04:38

作者: 不愛防注射    時間: 2025-3-27 07:05

作者: 伙伴    時間: 2025-3-27 10:18

作者: 有組織    時間: 2025-3-27 17:02
Drones and the Annihilation-Image in Contemporary Warfare The Case of ‘Eye in
作者: INTER    時間: 2025-3-27 20:51

作者: commensurate    時間: 2025-3-28 00:39

作者: FEAS    時間: 2025-3-28 05:58
e states. After the end of the Cold War, the clash of civilizations (in Toynbee’s sense) will dominate global politics. ‘For the relevant future, there will be no universal civilization, but instead a world of different civilizations, each of which will have to learn to coexist with the others.’
作者: 全神貫注于    時間: 2025-3-28 06:34

作者: CLASH    時間: 2025-3-28 13:30

作者: Decongestant    時間: 2025-3-28 15:01
Deformation of Metals, power sources allowed for the development of more standardized automated processes for metal deformation, such as forging, stamping, drawing, and extrusion. These processes gave rise to high-value, standardized components for construction, vehicles, and consumer goods.




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