標(biāo)題: Titlebook: Disability, Public Space Performance and Spectatorship; Unconscious Performe Bree Hadley Book 2014 Palgrave Macmillan, a division of Macmil [打印本頁] 作者: graphic 時間: 2025-3-21 18:30
書目名稱Disability, Public Space Performance and Spectatorship影響因子(影響力)
書目名稱Disability, Public Space Performance and Spectatorship影響因子(影響力)學(xué)科排名
書目名稱Disability, Public Space Performance and Spectatorship網(wǎng)絡(luò)公開度
書目名稱Disability, Public Space Performance and Spectatorship網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Disability, Public Space Performance and Spectatorship被引頻次
書目名稱Disability, Public Space Performance and Spectatorship被引頻次學(xué)科排名
書目名稱Disability, Public Space Performance and Spectatorship年度引用
書目名稱Disability, Public Space Performance and Spectatorship年度引用學(xué)科排名
書目名稱Disability, Public Space Performance and Spectatorship讀者反饋
書目名稱Disability, Public Space Performance and Spectatorship讀者反饋學(xué)科排名
作者: 按等級 時間: 2025-3-21 20:31 作者: Inexorable 時間: 2025-3-22 01:34 作者: Mediocre 時間: 2025-3-22 06:11 作者: 陰險 時間: 2025-3-22 11:34
Conclusion: (Dia)Logics of Difference,isability to a lesser or greater degree, whatever [it is they are] doing on stage or in public. And that’s a good thing’ (2010). In a performance situation, in particular a social performance situation, a disabled person is an unconscious-become-conscious performer with the capacity to intervene in 作者: 直覺好 時間: 2025-3-22 16:19
http://image.papertrans.cn/e/image/280807.jpg作者: 直覺好 時間: 2025-3-22 18:42
Book 2014In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.作者: 合適 時間: 2025-3-22 22:29 作者: Nmda-Receptor 時間: 2025-3-23 05:02 作者: companion 時間: 2025-3-23 06:39
Die Maxwell-Boltzmann-Verteilung the diagnostic gaze that typifies modern ways of seeing, imaging and imagining disabled bodies into practice in day-to-day life. They are designed to draw people with disabilities into negotiations of their corporeal differences, and, in the long run, render their idiosyncratic bodies more readable作者: Neuropeptides 時間: 2025-3-23 13:15 作者: Moderate 時間: 2025-3-23 16:56 作者: 尊重 時間: 2025-3-23 21:34 作者: degradation 時間: 2025-3-23 23:53
Ulrich K?ttgen,Wolfgang Callenseeisability to a lesser or greater degree, whatever [it is they are] doing on stage or in public. And that’s a good thing’ (2010). In a performance situation, in particular a social performance situation, a disabled person is an unconscious-become-conscious performer with the capacity to intervene in 作者: exclamation 時間: 2025-3-24 05:18
d artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.978-1-349-48449-2978-1-137-39608-2作者: FLAX 時間: 2025-3-24 08:29
Entropie und WahrscheinlichkeitFor people with disabilities, daily interactions in social situations, spaces and places can feel like a series of performances in which their idiosyncrasies are, whether they like it or not, on show. As hearing-impaired artist Aaron Williamson says:作者: angiography 時間: 2025-3-24 13:11
Introduction: Disability, Performance and the Public Sphere,For people with disabilities, daily interactions in social situations, spaces and places can feel like a series of performances in which their idiosyncrasies are, whether they like it or not, on show. As hearing-impaired artist Aaron Williamson says:作者: 優(yōu)雅 時間: 2025-3-24 16:48
d artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.978-1-349-48449-2978-1-137-39608-2作者: 通知 時間: 2025-3-24 20:40 作者: 極大的痛苦 時間: 2025-3-25 01:34
Statistische Gesamtheiten des Gleichgewichtse is — at least for Back to Back Theatre, Bill Shannon, Katherine Araniello and Aaron Williamson, the artists I consider in this chapter — a clear inducement to interrupt the daily social drama of disability by commandeering the very spaces and places in which it plays out. In their practice, it is 作者: Pedagogy 時間: 2025-3-25 06:22 作者: gain631 時間: 2025-3-25 11:04 作者: Amenable 時間: 2025-3-25 13:25 作者: 歌曲 時間: 2025-3-25 18:54
Disability, Public Space Performance and SpectatorshipUnconscious Performe作者: adjacent 時間: 2025-3-25 22:52
Disability, Public Space Performance and Spectatorship978-1-137-39608-2作者: Panther 時間: 2025-3-26 00:42
Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter,stares or scrutiny. The moments, they argue, where they feel most compelled by social spectators to perform the role of the monster, medical specimen, cripple, charity case, malingerer, inspiration or whatever other personae prevail in the given context at the given time.作者: 流浪 時間: 2025-3-26 06:57
Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible,e is — at least for Back to Back Theatre, Bill Shannon, Katherine Araniello and Aaron Williamson, the artists I consider in this chapter — a clear inducement to interrupt the daily social drama of disability by commandeering the very spaces and places in which it plays out. In their practice, it is 作者: prick-test 時間: 2025-3-26 11:50
,‘That you would post such a thing…’: Staging Spectatorship Online,cs of the practices considered in this book — positioned, as they are, outside the mainstream performance practices that garner this sort of media attention — makes it even more difficult to gather the documentation, discussion or analysis that might indicate the potential of the practices to have a作者: 欺騙手段 時間: 2025-3-26 13:08
Same Difference?: Disability, Presence, Performance and Ethics,son, Crow and the other artists considered here create very different types of performances, they do seem to deploy some distinctive performance strategies. They play out a more or less exaggerated, abstracted or absurd image of the role society assigns them in public spaces or places. In doing so, 作者: Abnormal 時間: 2025-3-26 18:07
Conclusion: (Dia)Logics of Difference, erected around them: tragic, poor, helpless, heroic, struggling, etc. In the laboratory of the performance situation, these knowledges can be re-examined, and questioned again and again’ (2004: 3). This is precisely what these artists do, in the laboratory of a specific sort of performance in publi作者: 結(jié)構(gòu) 時間: 2025-3-27 00:04
State Auditing and Anticorruption Campaign: Evidence from Chinahese conclusions contribute to the existing audit and corruption research literature by clarifying the true motivation of the anticorruption campaign in China and the strategic role played by CNAO in governmental governance and the national anticorruption campaign during the Central Government succession.作者: 背帶 時間: 2025-3-27 04:38 作者: Afflict 時間: 2025-3-27 09:14
(Watts et al. 1987a), reduced lysosomal rupture (Ichihara et al. 1987) and reduced incidence of arrhythmia (Nayler 1988) upon reperfusion. The degree of recovery of contractile function following ischemia and reperfusion is in proportion to the degree of depression of preischemic contractile functi作者: harmony 時間: 2025-3-27 12:41 作者: 同謀 時間: 2025-3-27 16:57
Sensing System for Bone Health Monitoring,bviously, this picture is inaccurate for a cultural field that has evolved over the past 35 years and which is composed of a wide range of cultural production, idiosyncratic practice, and a set of attitudes and values. To impart a better understanding of the punk culture, this chapter gives a brief 作者: famine 時間: 2025-3-27 18:10 作者: 過份艷麗 時間: 2025-3-28 01:11
