標(biāo)題: Titlebook: Cinema, Technologies of Visibility, and the Reanimation of Desire; Vincent J. Hausmann Book 2011 Palgrave Macmillan, a division of Nature [打印本頁(yè)] 作者: frustrate 時(shí)間: 2025-3-21 16:32
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire影響因子(影響力)
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire影響因子(影響力)學(xué)科排名
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire被引頻次
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire被引頻次學(xué)科排名
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire年度引用
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire年度引用學(xué)科排名
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire讀者反饋
書(shū)目名稱Cinema, Technologies of Visibility, and the Reanimation of Desire讀者反饋學(xué)科排名
作者: Hay-Fever 時(shí)間: 2025-3-21 23:10
,“Turning into Another Thing” in David Lynch’s ,l knowledges of the body ., 3–4). And while ., like . and conventional accounts of cinema’s origin and its relation to other technologies of visibility, directly engages Eadweard Muybridge’s observable animal locomotion studies, Lynch’s film also considers the physiological studies of interior body 作者: 使迷惑 時(shí)間: 2025-3-22 00:52 作者: Cupping 時(shí)間: 2025-3-22 05:47 作者: 健談 時(shí)間: 2025-3-22 10:12 作者: CAJ 時(shí)間: 2025-3-22 16:19
https://doi.org/10.1007/978-81-322-2346-7l knowledges of the body ., 3–4). And while ., like . and conventional accounts of cinema’s origin and its relation to other technologies of visibility, directly engages Eadweard Muybridge’s observable animal locomotion studies, Lynch’s film also considers the physiological studies of interior body 作者: CAJ 時(shí)間: 2025-3-22 20:08
Regions and Regional Development Policy,ves and a psychic deadening are compounded by the flouting of the paternal function extant in their social sphere, the extent of the crisis for Wenders is more pervasive than in Mendes or even Verbinski, simply because, in encountering its manifestations in most of the eight countries through which 作者: 否決 時(shí)間: 2025-3-22 23:23 作者: medieval 時(shí)間: 2025-3-23 03:17 作者: 沒(méi)有準(zhǔn)備 時(shí)間: 2025-3-23 08:46 作者: Tracheotomy 時(shí)間: 2025-3-23 10:34 作者: Lethargic 時(shí)間: 2025-3-23 17:47 作者: 做作 時(shí)間: 2025-3-23 18:31
Meenakshi Rajeev,Azharuddin Akhtaromi Watts) and Noah (Martin Henderson), to their son, Adan (David Dorfman), and brings the couple’s stance close to Lester’s problematic refusal, until late in his life, to acknowledge Symbolic castration and accept the exigencies of being (dis)placed in language.作者: Evacuate 時(shí)間: 2025-3-23 22:19
,Burning Transmission: Stilling Psychic Space in Gore Verbinski’s ,omi Watts) and Noah (Martin Henderson), to their son, Adan (David Dorfman), and brings the couple’s stance close to Lester’s problematic refusal, until late in his life, to acknowledge Symbolic castration and accept the exigencies of being (dis)placed in language.作者: 愛(ài)社交 時(shí)間: 2025-3-24 05:27
Introduction: ,, directing film spectators to review with him images of the psychically numb life he led while he was alive. But if Lester is livelier in death than in life, it is because in the moment before his murder he recognizes how to avoid remaining the double of a figure he jokes about—the undead star of t作者: 高度表 時(shí)間: 2025-3-24 08:51
,Envisioning the (W)hole World “Behind Things” in Sam Mendes’s ,sees his work as the tale of a man, Lester Burnham (Kevin Spacey), who becomes “a father again” by forgoing the chance to act on his fantasy—to sleep with his daughter’s teenage friend, Angela (Mena Suvari).. The film understands this endorsement of the injunction against incest broadly and in terms作者: glowing 時(shí)間: 2025-3-24 12:14 作者: Interferons 時(shí)間: 2025-3-24 16:34
,“Turning into Another Thing” in David Lynch’s ,be thought apart from conceptions of art/technology. Yet Lynch’s critique of denials of Symbolic mediation as they emerge in specious disciplinary genealogies remains distinctively thoroughgoing. Although, like . and . challenges dismissals of visual arts/technologies as inherently deadening, Lynch’作者: 模范 時(shí)間: 2025-3-24 20:06
,Inscribing the Dream of Otherness in Wim Wenders’s ,tin) end-of-the-millennium trek across the globe can remind us how presciently Wenders traced the contours of the mounting threat to psychic life posed (in part) by mass media’s efforts to proffer the image as a way to automatically “take on … [ultimately generative] anxieties and desires … and to s作者: 受辱 時(shí)間: 2025-3-25 02:11 作者: inspiration 時(shí)間: 2025-3-25 04:51
https://doi.org/10.1007/978-981-99-7683-6, directing film spectators to review with him images of the psychically numb life he led while he was alive. But if Lester is livelier in death than in life, it is because in the moment before his murder he recognizes how to avoid remaining the double of a figure he jokes about—the undead star of t作者: Euphonious 時(shí)間: 2025-3-25 09:15
https://doi.org/10.1007/978-981-99-7683-6sees his work as the tale of a man, Lester Burnham (Kevin Spacey), who becomes “a father again” by forgoing the chance to act on his fantasy—to sleep with his daughter’s teenage friend, Angela (Mena Suvari).. The film understands this endorsement of the injunction against incest broadly and in terms作者: idiopathic 時(shí)間: 2025-3-25 11:38 作者: 遵循的規(guī)范 時(shí)間: 2025-3-25 16:30 作者: 羊欄 時(shí)間: 2025-3-25 23:18 作者: 大氣層 時(shí)間: 2025-3-26 01:05 作者: Adj異類的 時(shí)間: 2025-3-26 07:22
Overview: Exploring the dead/alive figure in such films as The Ring, American Beauty , and The Elephant Man , Vincent Hausmann charts the spectacular reduction of psychic life and assesses calls for shoring up psychic/social spaces that transfer bodily drives to language.978-1-349-29349-0978-0-230-11850-8作者: Germinate 時(shí)間: 2025-3-26 11:34 作者: hypertension 時(shí)間: 2025-3-26 14:32 作者: 清楚 時(shí)間: 2025-3-26 17:36
https://doi.org/10.1057/9780230118508America; animation; cinema; David Lynch; language; reduction; space; transmission作者: 確認(rèn) 時(shí)間: 2025-3-26 22:33
978-1-349-29349-0Palgrave Macmillan, a division of Nature America Inc. 2011作者: Perineum 時(shí)間: 2025-3-27 03:30
8樓作者: 消滅 時(shí)間: 2025-3-27 07:59
9樓作者: Melatonin 時(shí)間: 2025-3-27 09:36
9樓作者: ineptitude 時(shí)間: 2025-3-27 16:21
9樓作者: 人類學(xué)家 時(shí)間: 2025-3-27 18:02
9樓作者: Negligible 時(shí)間: 2025-3-28 00:43
10樓作者: 俗艷 時(shí)間: 2025-3-28 05:23
10樓作者: 合并 時(shí)間: 2025-3-28 09:09
10樓作者: 抗原 時(shí)間: 2025-3-28 12:38
10樓
