派博傳思國際中心

標(biāo)題: Titlebook: Choreographing the Airport; Field Notes from the Justine Shih Pearson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Cultur [打印本頁]

作者: 監(jiān)管 時(shí)間: 2025-3-21 18:09
書目名稱Choreographing the Airport影響因子(影響力)

書目名稱Choreographing the Airport影響因子(影響力)學(xué)科排名

書目名稱Choreographing the Airport網(wǎng)絡(luò)公開度

書目名稱Choreographing the Airport網(wǎng)絡(luò)公開度學(xué)科排名

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書目名稱Choreographing the Airport被引頻次學(xué)科排名

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書目名稱Choreographing the Airport年度引用學(xué)科排名

書目名稱Choreographing the Airport讀者反饋

書目名稱Choreographing the Airport讀者反饋學(xué)科排名

作者: MAOIS 時(shí)間: 2025-3-21 20:22

作者: mydriatic 時(shí)間: 2025-3-22 00:48
cosmopolitanism and cultural identity.Utilises innovative et?This book?investigates the global hub airport as an exemplar of cosmopolitan culture and space. A machine made for movement, itself perched at the crossroads of the world’s incessant mobility, the airport is both a symbol of and stage for

作者: 凹槽 時(shí)間: 2025-3-22 05:59
Zusammenfassung der Ergebnisse,up our awareness to both the process of our socialisation and our own potential for differing, of being “other” to ourselves, an oscillating self-other. As such, the performance of border crossing is one defined by unsteadiness and potential failure. What performative potential lies in our momentary dys-assembly at the border?

作者: Acetabulum 時(shí)間: 2025-3-22 11:03
Performing Self at the Border,up our awareness to both the process of our socialisation and our own potential for differing, of being “other” to ourselves, an oscillating self-other. As such, the performance of border crossing is one defined by unsteadiness and potential failure. What performative potential lies in our momentary dys-assembly at the border?

作者: colostrum 時(shí)間: 2025-3-22 15:25

作者: colostrum 時(shí)間: 2025-3-22 19:26
Rechtsbewusstsein in der Demokratieplace occurs here in ways that echo the strategies of museum display, while emplaced experiences of the “anywhere/nowhere” cosmopolitan space can also happen. This chapter extends work done by geographer Edward Soja, adapting Homi Bhabha’s conception of a thirdspace of cultural contestation.

作者: Hypomania 時(shí)間: 2025-3-23 00:09
Gerheid Scheerer-Neumann Ph. D.er with the disciplining apparatus of state security is an intersubjective one. As a version of the public sphere, cosmopolitan spaces such as the airport circulate affect through shared as well as singular experience; it is at the scale of the body that we might begin to enact an ethics of encounter with difference, with others.

作者: ethereal 時(shí)間: 2025-3-23 04:31
Towards a Practical Cosmopolitanism,to important knowledge about the ongoing tensions between sameness and difference, national and transnational, self and other, as experienced in the transit spaces of global mobility—a practice of cosmopolitanism.

作者: synchronous 時(shí)間: 2025-3-23 06:19

作者: 漸變 時(shí)間: 2025-3-23 10:18

作者: gratify 時(shí)間: 2025-3-23 17:06
Book 2018al identity, and the performativity of places and identities, this book is essential reading for those interested in cultural debates around globalisation, the innovative application of performancetheory towards everyday experience, and interdisciplinary methodologies..

作者: GNAW 時(shí)間: 2025-3-23 19:02

作者: mitten 時(shí)間: 2025-3-24 01:59

作者: 反應(yīng) 時(shí)間: 2025-3-24 06:03

作者: 玩笑 時(shí)間: 2025-3-24 08:20

作者: 拖網(wǎng) 時(shí)間: 2025-3-24 13:05

作者: Multiple 時(shí)間: 2025-3-24 14:56

作者: Adrenal-Glands 時(shí)間: 2025-3-24 21:28

作者: Vulnerary 時(shí)間: 2025-3-25 02:09
Rechtsbewusstsein in der Demokratieher a space in which cosmopolitanist and nationalist allegiances and logics are contested in complex ways. This chapter redresses Augé’s binary of place and non-place by bringing together thinking from cultural theorists on thirdspace as a site of cultural contestation, and various invocations of th

作者: 有效 時(shí)間: 2025-3-25 04:02