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標(biāo)題: Titlebook: Cause and Effect in Fiction; Frances Howard-Snyder Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to S [打印本頁(yè)]

作者: ETHOS    時(shí)間: 2025-3-21 17:22
書(shū)目名稱Cause and Effect in Fiction影響因子(影響力)




書(shū)目名稱Cause and Effect in Fiction影響因子(影響力)學(xué)科排名




書(shū)目名稱Cause and Effect in Fiction網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Cause and Effect in Fiction網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Cause and Effect in Fiction被引頻次




書(shū)目名稱Cause and Effect in Fiction被引頻次學(xué)科排名




書(shū)目名稱Cause and Effect in Fiction年度引用




書(shū)目名稱Cause and Effect in Fiction年度引用學(xué)科排名




書(shū)目名稱Cause and Effect in Fiction讀者反饋




書(shū)目名稱Cause and Effect in Fiction讀者反饋學(xué)科排名





作者: 起來(lái)了    時(shí)間: 2025-3-21 21:09

作者: arbiter    時(shí)間: 2025-3-22 03:18

作者: 施加    時(shí)間: 2025-3-22 06:26

作者: misshapen    時(shí)間: 2025-3-22 10:00

作者: nostrum    時(shí)間: 2025-3-22 16:06
Christian Geissler,Rainer Krummt. If no stories are better than any others, there is no point writing about what makes stories better. I explore several different accounts of literary merit and argue that some of these are false, and the ones that remain provide a sensible basis for exploring the question of whether and how and why causation makes fiction better.
作者: nostrum    時(shí)間: 2025-3-22 20:02

作者: 喚起    時(shí)間: 2025-3-22 23:29
Das Besondere ist nichts Besonderes, the effects of moving between two very different environments; the ways speculative fiction might allow unrealistic settings to impact characters; the ways physical environment and weather may affect characters’ moods and, indirectly, their actions; and lastly, what to say about a story that has virtually no setting at all.
作者: 感情脆弱    時(shí)間: 2025-3-23 01:41

作者: 新陳代謝    時(shí)間: 2025-3-23 06:05

作者: Asseverate    時(shí)間: 2025-3-23 11:29

作者: 薄荷醇    時(shí)間: 2025-3-23 16:38

作者: TRAWL    時(shí)間: 2025-3-23 18:03
Cause and Effect in Theme,to the actual world. To see this, I consider realistic works of fiction, . and ., and several works of speculative fiction. I conclude by arguing that, in both sorts of fiction, writers and readers rely on what I call “counterfactual thinking,” which will be the subject of the next chapter.
作者: prediabetes    時(shí)間: 2025-3-24 00:12
Cause and Effect, Counterfactuals, and the Role of Fiction in our Psychic Lives,y connected to counterfactuals and counterfactuals are closely connected to causation, then fiction and causation are linked. In the last section of the chapter, I consider evolutionary explanations for why we engage with fiction and whether this can partly explain the importance of causation within fiction.
作者: constitutional    時(shí)間: 2025-3-24 04:10
Cause and Effect in Plot, resolution, and discuss, with examples from three very different novels, how causation plays a role in each of these. I also discuss suspense and how it constrains causation and also depends on readers’ intense curiosity about dramatic questions including causal questions.
作者: Spongy-Bone    時(shí)間: 2025-3-24 06:33
Cause and Effect in Character,r big choices that constitute the crises or climaxes of stories are caused. I argue, again, that the more meaningful causation the better, except where there is value in leaving choices partially uncaused to make room for free will.
作者: Adj異類的    時(shí)間: 2025-3-24 12:49
Cause and Effect in Dialogue,xplore causation within dialogue, the ways in which what characters say is caused by their character, their circumstances, and the words of other characters, and the ways in which their words produce effects in others and in the world around them. I explore this in connection with long scenes from two works of fiction.
作者: Morsel    時(shí)間: 2025-3-24 15:27
Objections and Replies,ausation. These objections include the worry that causation is ubiquitous and so, seems to invite the question, “What’s the big deal??I also discuss two different sorts of counterexample: cases where literary works lack much causation and yet are still excellent.
作者: 中國(guó)紀(jì)念碑    時(shí)間: 2025-3-24 21:20
https://doi.org/10.1007/978-3-663-11947-0 resolution, and discuss, with examples from three very different novels, how causation plays a role in each of these. I also discuss suspense and how it constrains causation and also depends on readers’ intense curiosity about dramatic questions including causal questions.
作者: 聲音刺耳    時(shí)間: 2025-3-25 03:00

作者: 高爾夫    時(shí)間: 2025-3-25 05:07

作者: 無(wú)可非議    時(shí)間: 2025-3-25 08:16
Objektorientierte Programmierung in JAVAausation. These objections include the worry that causation is ubiquitous and so, seems to invite the question, “What’s the big deal??I also discuss two different sorts of counterexample: cases where literary works lack much causation and yet are still excellent.
作者: Exhilarate    時(shí)間: 2025-3-25 13:50
https://doi.org/10.1007/978-3-031-52712-8Creative Writing; Fiction; Philosophy of Literature; Philosophy of Fiction; Narrative; Cause and Effect
作者: Chagrin    時(shí)間: 2025-3-25 18:48

作者: modish    時(shí)間: 2025-3-25 22:09
Christian Geissler,Rainer Krummim that the successful deployment of such causation makes fiction better. In addition, this chapter tries to make sense of the notion of literary merit. If no stories are better than any others, there is no point writing about what makes stories better. I explore several different accounts of litera
作者: 詞匯記憶方法    時(shí)間: 2025-3-26 01:06

作者: 通知    時(shí)間: 2025-3-26 05:55
https://doi.org/10.1007/978-3-663-11947-0 resolution, and discuss, with examples from three very different novels, how causation plays a role in each of these. I also discuss suspense and how it constrains causation and also depends on readers’ intense curiosity about dramatic questions including causal questions.
作者: needle    時(shí)間: 2025-3-26 10:00
https://doi.org/10.1007/978-3-663-11947-0r big choices that constitute the crises or climaxes of stories are caused. I argue, again, that the more meaningful causation the better, except where there is value in leaving choices partially uncaused to make room for free will.
作者: 600    時(shí)間: 2025-3-26 14:14
Das Besondere ist nichts Besonderes,hat show a range of these effects: the way harsh physical environments limit characters’ actions; the way harsh social environments impact characters; the effects of moving between two very different environments; the ways speculative fiction might allow unrealistic settings to impact characters; th
作者: Arboreal    時(shí)間: 2025-3-26 17:04
Diskursethik und/oder Substanzethik,xplore causation within dialogue, the ways in which what characters say is caused by their character, their circumstances, and the words of other characters, and the ways in which their words produce effects in others and in the world around them. I explore this in connection with long scenes from t
作者: mastopexy    時(shí)間: 2025-3-26 21:11

作者: 一大群    時(shí)間: 2025-3-27 04:41

作者: Hyperalgesia    時(shí)間: 2025-3-27 08:19

作者: Bronchial-Tubes    時(shí)間: 2025-3-27 11:10
Frances Howard-SnyderExplores some of the evolutionary, philosophical, and psychological reasons why causality is so important to fiction..Offers a practical guide to one of fiction-writing‘s oldest and most fundamental s
作者: Polydipsia    時(shí)間: 2025-3-27 15:26

作者: minimal    時(shí)間: 2025-3-27 20:39
Cause and Effect in Fiction: An Introduction,im that the successful deployment of such causation makes fiction better. In addition, this chapter tries to make sense of the notion of literary merit. If no stories are better than any others, there is no point writing about what makes stories better. I explore several different accounts of litera
作者: Insul島    時(shí)間: 2025-3-27 23:36

作者: 暫停,間歇    時(shí)間: 2025-3-28 04:56
Cause and Effect in Plot, resolution, and discuss, with examples from three very different novels, how causation plays a role in each of these. I also discuss suspense and how it constrains causation and also depends on readers’ intense curiosity about dramatic questions including causal questions.
作者: 傾聽(tīng)    時(shí)間: 2025-3-28 09:30
Cause and Effect in Character,r big choices that constitute the crises or climaxes of stories are caused. I argue, again, that the more meaningful causation the better, except where there is value in leaving choices partially uncaused to make room for free will.
作者: PLAYS    時(shí)間: 2025-3-28 11:29

作者: 魯莽    時(shí)間: 2025-3-28 16:01

作者: 五行打油詩(shī)    時(shí)間: 2025-3-28 19:14
Cause and Effect in Theme,ctual world. To do this, they need to convince us that x causes y in the fictional world and that what is true in the fictional world can be exported to the actual world. To see this, I consider realistic works of fiction, . and ., and several works of speculative fiction. I conclude by arguing that
作者: Commonplace    時(shí)間: 2025-3-28 23:48

作者: 因無(wú)茶而冷淡    時(shí)間: 2025-3-29 04:42





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