作者: 沉積物 時(shí)間: 2025-3-21 23:31 作者: Osteons 時(shí)間: 2025-3-22 02:10 作者: Preserve 時(shí)間: 2025-3-22 05:37 作者: gentle 時(shí)間: 2025-3-22 11:29
Peter Grun,Nikil Dutt,Alex Nicolaund of fascination is unlike the pre-modern interest with an individual’s public role, and its genesis is historically specific. I argue that we’ve had celebrities since the late eighteenth century and a celebrity culture since the beginning of the nineteenth.作者: STALL 時(shí)間: 2025-3-22 15:45
Romantic Celebrity,nd of fascination is unlike the pre-modern interest with an individual’s public role, and its genesis is historically specific. I argue that we’ve had celebrities since the late eighteenth century and a celebrity culture since the beginning of the nineteenth.作者: Ingest 時(shí)間: 2025-3-22 20:08 作者: 吸引力 時(shí)間: 2025-3-23 00:43 作者: JIBE 時(shí)間: 2025-3-23 04:22 作者: 滲入 時(shí)間: 2025-3-23 08:02 作者: IST 時(shí)間: 2025-3-23 10:31 作者: 周年紀(jì)念日 時(shí)間: 2025-3-23 15:50 作者: Cloudburst 時(shí)間: 2025-3-23 20:52 作者: 山崩 時(shí)間: 2025-3-24 01:05
https://doi.org/10.1007/b101865tanzas dramatise Byron’s attempt to figure out a relationship with his readers and to figure it into his writing. In the first two stanzas, written a year and eight months apart, Byron ironically employed two sets of opening conventions, each of which signalled a generic affiliation, identified a li作者: OWL 時(shí)間: 2025-3-24 05:36
https://doi.org/10.1007/b101865vitations to balls and dinners, not to mention trysts and assignations. Byron now faced the challenge of consolidating his position in the Romantic celebrity culture that he was helping to create, sustaining the attention he had attracted and proving that his fame was more than a flash in the pan. B作者: PALMY 時(shí)間: 2025-3-24 08:01 作者: Mets552 時(shí)間: 2025-3-24 12:00 作者: Anticonvulsants 時(shí)間: 2025-3-24 15:04
Lauren E. Immink,Jenna J. Guthmillerdeas about subjectivity. In this final chapter, I will suggest that celebrity culture relied on elements of a distinctively modern understanding of subjectivity and therefore sponsored its normalisation, shutting down a variety of earlier possibilities in the process. The new understanding of subjec作者: intellect 時(shí)間: 2025-3-24 19:12 作者: 機(jī)械 時(shí)間: 2025-3-24 23:21
Eden S. Hirsch,Jason S. WeinsteinScrutinising a print of Byron, Caroline Lamb found herself infatuated with the sitter and infuriated with the artist:作者: RUPT 時(shí)間: 2025-3-25 05:54 作者: Detonate 時(shí)間: 2025-3-25 10:59
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/b/image/192571.jpg作者: 濃縮 時(shí)間: 2025-3-25 13:57 作者: 發(fā)展 時(shí)間: 2025-3-25 16:08 作者: 元音 時(shí)間: 2025-3-25 21:16 作者: ARCHE 時(shí)間: 2025-3-26 00:42 作者: 類似思想 時(shí)間: 2025-3-26 06:55 作者: 啞巴 時(shí)間: 2025-3-26 09:12 作者: Libido 時(shí)間: 2025-3-26 15:01
,Scopophilia and Somatic Inscription in Byron’s Verse Tales,vitations to balls and dinners, not to mention trysts and assignations. Byron now faced the challenge of consolidating his position in the Romantic celebrity culture that he was helping to create, sustaining the attention he had attracted and proving that his fame was more than a flash in the pan. B作者: aviator 時(shí)間: 2025-3-26 18:32
The Handling of ,periences of exotic travels almost to exhaustion — he had some unpublished scraps of Oriental poetry, but seemed incapable of turning them into a fifth verse tale. The sheen had worn off his celebrity, making fame a fact of life which was rapidly becoming routine. Worse still, his series of four Tur作者: Grievance 時(shí)間: 2025-3-26 20:58 作者: Buttress 時(shí)間: 2025-3-27 04:54
: Celebrity and the Subject of Modernity,deas about subjectivity. In this final chapter, I will suggest that celebrity culture relied on elements of a distinctively modern understanding of subjectivity and therefore sponsored its normalisation, shutting down a variety of earlier possibilities in the process. The new understanding of subjec作者: 溫順 時(shí)間: 2025-3-27 06:25 作者: 出來(lái) 時(shí)間: 2025-3-27 11:31
,‘An Ode to the Framers of the Frame Bill’: The Embarrassment of Industrial Culture,nderstandings of legal definitions and parliamentary procedures have led critics mistakenly to frame the poem chronologically, representing it as a peevish comment on a completed legislative process. This characterisation is part of a conceptual frame in which Byron’s political engagement with Luddi作者: explicit 時(shí)間: 2025-3-27 13:47 作者: Cocker 時(shí)間: 2025-3-27 21:31 作者: ACTIN 時(shí)間: 2025-3-28 01:27
Envoi,table channels. To send a poem out into the world, Southey suggests, is to bid it farewell in the confidence that — somewhere, somehow — discerning readers will find it. True worth will receive its due in the end.作者: 自負(fù)的人 時(shí)間: 2025-3-28 03:14
https://doi.org/10.1007/b101865nderstandings of legal definitions and parliamentary procedures have led critics mistakenly to frame the poem chronologically, representing it as a peevish comment on a completed legislative process. This characterisation is part of a conceptual frame in which Byron’s political engagement with Luddi作者: Apraxia 時(shí)間: 2025-3-28 06:35
https://doi.org/10.1007/b101865d consumer in industrial culture. Byron began adding to the poem’s opening in response to several painful bereavements, but his revisions helped to construct the hermeneutic paradigm that would govern his celebrity career.作者: Custodian 時(shí)間: 2025-3-28 11:57
Lauren E. Immink,Jenna J. Guthmillerposition in the apparatus of individual, industry and audience that structured Romantic celebrity culture. In . Three, I argue, this effort took two forms: firstly, he re-imagined his relationship with the audience by experimenting with possible shifts in his hermeneutic paradigm; secondly, he reneg作者: Madrigal 時(shí)間: 2025-3-28 18:04 作者: 不朽中國(guó) 時(shí)間: 2025-3-28 18:48
10樓作者: sperse 時(shí)間: 2025-3-29 00:19
10樓作者: 沙草紙 時(shí)間: 2025-3-29 03:33
10樓作者: 休息 時(shí)間: 2025-3-29 11:10
10樓
