標(biāo)題: Titlebook: Basics of Perception in Architecture; J?rg Kurt Grütter Textbook 2020 Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2020 Arc [打印本頁(yè)] 作者: quick-relievers 時(shí)間: 2025-3-21 17:50
書(shū)目名稱Basics of Perception in Architecture影響因子(影響力)
書(shū)目名稱Basics of Perception in Architecture影響因子(影響力)學(xué)科排名
書(shū)目名稱Basics of Perception in Architecture網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Basics of Perception in Architecture網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書(shū)目名稱Basics of Perception in Architecture讀者反饋
書(shū)目名稱Basics of Perception in Architecture讀者反饋學(xué)科排名
作者: 退潮 時(shí)間: 2025-3-21 21:58 作者: 勉勵(lì) 時(shí)間: 2025-3-22 03:44
Micropropagation of , L. (Garlic) of these relationships are formed through learning; in only a few cases are they based on instinctive reactions. This means that forming a relationship to our surroundings entails learning the meaning of the different objects around us, where they are and how we have to behave in relation to them.作者: 有抱負(fù)者 時(shí)間: 2025-3-22 07:43 作者: 誘騙 時(shí)間: 2025-3-22 09:06 作者: cancellous-bone 時(shí)間: 2025-3-22 14:45
https://doi.org/10.1007/978-3-663-08543-0 compared with the duration of a human life, for the most part, even today, they endure for a long time. Unlike music and dance, for example, architecture does not include the temporal dimension. A piece of music has a beginning, lasts for a certain time span and then ends at a precisely defined point in time.作者: 動(dòng)機(jī) 時(shí)間: 2025-3-22 19:28
https://doi.org/10.1007/978-3-663-08543-0ical necessity; its psychological significance is one of the most important factors of human existence in general. The architect Morris Lapidus claimed that people are like moths, which instinctively throw themselves at a bright light; in a similar way, we are drawn to bright light without being aware of why) (Klotz and Cock 1974, p.?175).作者: 推測(cè) 時(shí)間: 2025-3-23 00:41
Electrography, lonography, and Magnetographyiology, which in turn derives from the Greek terms semeion, meaning sign, and logos. Every perceived sign has some sort of effect on the receiver. A basic distinction is made between two different groups of signs, although a sign can belong to both groups (Fig.?11.1).作者: frugal 時(shí)間: 2025-3-23 02:09
Micropropagation of , (Passionfruit)r” and the human being as the “receiver”. As “receivers” we perceive the messages of the “sender” via different “channels”, i.e. via our different sensory organs (Fig.?1.1). The signals we receive via our five sensory organs are further processed in the brain (see Sect.?1.3.1).作者: vector 時(shí)間: 2025-3-23 06:26 作者: 不容置疑 時(shí)間: 2025-3-23 11:28 作者: lethargy 時(shí)間: 2025-3-23 17:20
Micropropagation of , L. (Garlic) of these relationships are formed through learning; in only a few cases are they based on instinctive reactions. This means that forming a relationship to our surroundings entails learning the meaning of the different objects around us, where they are and how we have to behave in relation to them.作者: COMA 時(shí)間: 2025-3-23 18:12 作者: 大罵 時(shí)間: 2025-3-23 22:36 作者: synovium 時(shí)間: 2025-3-24 05:11 作者: 暗諷 時(shí)間: 2025-3-24 06:57 作者: 高射炮 時(shí)間: 2025-3-24 11:59
https://doi.org/10.1007/978-3-663-08543-0ical necessity; its psychological significance is one of the most important factors of human existence in general. The architect Morris Lapidus claimed that people are like moths, which instinctively throw themselves at a bright light; in a similar way, we are drawn to bright light without being awa作者: Substance 時(shí)間: 2025-3-24 17:34 作者: 孵卵器 時(shí)間: 2025-3-24 22:37 作者: forbid 時(shí)間: 2025-3-25 03:08 作者: cylinder 時(shí)間: 2025-3-25 04:19 作者: languid 時(shí)間: 2025-3-25 09:30
http://image.papertrans.cn/b/image/181274.jpg作者: 仔細(xì)檢查 時(shí)間: 2025-3-25 12:09
https://doi.org/10.1007/978-3-658-31156-8Architecture; Architecture - theory; Architeture - praxis; Architecture - perception; Design作者: 能量守恒 時(shí)間: 2025-3-25 16:05 作者: 推測(cè) 時(shí)間: 2025-3-25 21:19 作者: 剛毅 時(shí)間: 2025-3-26 00:29
Culture and Style,illustrating these abstract ideas with concrete forms. Architecture plays a primary role in this process of transformation. As Hermann Muthesius, one of the early programmatic thinkers in the Deutscher Werkbund, wrote in 1911: “For its architectonic culture remains the true index of a nation’s culture as a whole.作者: 玉米棒子 時(shí)間: 2025-3-26 07:38
Site and Surroundings, of these relationships are formed through learning; in only a few cases are they based on instinctive reactions. This means that forming a relationship to our surroundings entails learning the meaning of the different objects around us, where they are and how we have to behave in relation to them.作者: 嚴(yán)厲譴責(zé) 時(shí)間: 2025-3-26 08:36
Form, mental concepts and primal forms. Just as language consists of words, every design vernacular is composed of various basic patterns or elemental forms. In Sect.?1.2.5 we saw that every message includes a certain amount of redundancy, i.e. a portion of its signs is not informative but “waste”.作者: 健談 時(shí)間: 2025-3-26 15:18 作者: 壓艙物 時(shí)間: 2025-3-26 18:48
Movement and Path, compared with the duration of a human life, for the most part, even today, they endure for a long time. Unlike music and dance, for example, architecture does not include the temporal dimension. A piece of music has a beginning, lasts for a certain time span and then ends at a precisely defined point in time.作者: CHAFE 時(shí)間: 2025-3-26 21:55 作者: packet 時(shí)間: 2025-3-27 04:10 作者: Affirm 時(shí)間: 2025-3-27 06:11 作者: 相容 時(shí)間: 2025-3-27 12:56
I. M. Sieler,M. Rossetto,K. W. DixonFig.?2.1).Each whole is in turn a part of a still more comprehensive whole. For example, a screw can be a component of a steel girder, which in turn can be a component of a building canopy. The whole is in each case more than the sum of all the parts involved.作者: 啟發(fā) 時(shí)間: 2025-3-27 15:25
Micropropagation of , Cultivars in his writings, was the first Occidental thinker to deal with the concept of space. He compared space to a vessel, a void that had to be enclosed in order to exist and was thus always finite (Fig.?5.1).作者: Ophthalmologist 時(shí)間: 2025-3-27 18:26 作者: absorbed 時(shí)間: 2025-3-28 01:39 作者: HARD 時(shí)間: 2025-3-28 02:37 作者: 高射炮 時(shí)間: 2025-3-28 07:57
Textbook 2020built environment.?..Why is there so much debate about the appearance of our built environment, about the aesthetics of architecture today? Why do opinions about the aesthetic quality of buildings often diverge extremely even among experts? Why can’t we agree on architecture, on what is beautiful an作者: 危險(xiǎn) 時(shí)間: 2025-3-28 14:03 作者: 諂媚于人 時(shí)間: 2025-3-28 16:13
,Introduction—The Foundations of Perception,r” and the human being as the “receiver”. As “receivers” we perceive the messages of the “sender” via different “channels”, i.e. via our different sensory organs (Fig.?1.1). The signals we receive via our five sensory organs are further processed in the brain (see Sect.?1.3.1).作者: 意外 時(shí)間: 2025-3-28 19:47 作者: Hirsutism 時(shí)間: 2025-3-28 23:02
Culture and Style,illustrating these abstract ideas with concrete forms. Architecture plays a primary role in this process of transformation. As Hermann Muthesius, one of the early programmatic thinkers in the Deutscher Werkbund, wrote in 1911: “For its architectonic culture remains the true index of a nation’s cultu作者: Cpr951 時(shí)間: 2025-3-29 05:09
Site and Surroundings, of these relationships are formed through learning; in only a few cases are they based on instinctive reactions. This means that forming a relationship to our surroundings entails learning the meaning of the different objects around us, where they are and how we have to behave in relation to them.作者: instructive 時(shí)間: 2025-3-29 07:27
Space,nd nevertheless measurable: “There’s enough space available” … “The space is full” … This conception corresponds to that formulated by Aristotle, who, in his writings, was the first Occidental thinker to deal with the concept of space. He compared space to a vessel, a void that had to be enclosed in作者: 針葉類的樹(shù) 時(shí)間: 2025-3-29 14:09
Form, mental concepts and primal forms. Just as language consists of words, every design vernacular is composed of various basic patterns or elemental forms. In Sect.?1.2.5 we saw that every message includes a certain amount of redundancy, i.e. a portion of its signs is not informative but “waste”.作者: Inclement 時(shí)間: 2025-3-29 18:48
Harmony, between all elements of a phenomenon. In ancient Greek mythology, Harmonia was the daughter of Ares, the god of war, and Aphrodite, the goddess of beauty and love. Harmony emerges from the combination of two contrasting elements.作者: Gullible 時(shí)間: 2025-3-29 21:24
Movement and Path, compared with the duration of a human life, for the most part, even today, they endure for a long time. Unlike music and dance, for example, architecture does not include the temporal dimension. A piece of music has a beginning, lasts for a certain time span and then ends at a precisely defined poi作者: conscience 時(shí)間: 2025-3-30 03:52
Light and Colour,ical necessity; its psychological significance is one of the most important factors of human existence in general. The architect Morris Lapidus claimed that people are like moths, which instinctively throw themselves at a bright light; in a similar way, we are drawn to bright light without being awa作者: 陪審團(tuán) 時(shí)間: 2025-3-30 07:07
