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標(biāo)題: Titlebook: A New Approach to the Arts; Tracing the Roots of Peter Moore Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lic [打印本頁(yè)]

作者: 即將過(guò)時(shí) 時(shí)間: 2025-3-21 17:38
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作者: Frisky 時(shí)間: 2025-3-21 22:11

作者: 五行打油詩(shī) 時(shí)間: 2025-3-22 00:50

作者: 歡樂(lè)中國(guó) 時(shí)間: 2025-3-22 06:23

作者: 教義 時(shí)間: 2025-3-22 09:06
Staging the Gesture, and expressive movement in the arts, examining the ways in which gesture is combined with melody, word and image in the whole range of the performative arts—mime, dance, theatre, opera and cinema. Ballet, for instance, combines gesture, movement and music within an overall visual spectacle. Nor is

作者: FLEET 時(shí)間: 2025-3-22 16:18

作者: 言行自由 時(shí)間: 2025-3-22 17:49
One Art After Another,life, but frequently they also seek to imitate, draw inspiration from or collaborate with each other. Thus we find not only the play or the novel, but the film of the play or the novel; not only the painting, but the poem about, or the novel inspired by, the painting; and so on. The close connection

作者: 別名 時(shí)間: 2025-3-22 22:09
Looking Beyond the Frame, lives within it. Three practical functions of art as representation are discussed under the broad headings of celebration, illumination and participation. These practical effects of artistic representation arguably do more to explain the appeal and persistence of the arts than can any number of aes

作者: 不合 時(shí)間: 2025-3-23 01:29

作者: FLAX 時(shí)間: 2025-3-23 05:46
http://image.papertrans.cn/b/image/167045.jpg

作者: 閑蕩 時(shí)間: 2025-3-23 10:01
https://doi.org/10.1007/978-3-031-61429-3the arts; iconology; mimesis; gesture; verisimilitude; narrative; artistic conventions

作者: 表狀態(tài) 時(shí)間: 2025-3-23 16:56

作者: minimal 時(shí)間: 2025-3-23 19:57

作者: 鍍金 時(shí)間: 2025-3-23 22:43
https://doi.org/10.1007/978-3-662-00429-6ld. The book identifies image, word, melody and gesture as four primary ‘ingredients’ of artistic representation. It is these four ingredients, singly or in various combinations, which generate the multifarious forms of art in every culture. Artistic representation entails far more than imitation. A

作者: lymphedema 時(shí)間: 2025-3-24 06:25

作者: 機(jī)械 時(shí)間: 2025-3-24 08:22
https://doi.org/10.1007/978-3-642-57982-0articular sequence of words used to build up a new world, or a new view of the world, in the mind of reader or listener? These and other questions direct our attention to the many links between word and image, the relationship between poetry and prose, the implicit music and rhythm of language, and

作者: 貝雷帽 時(shí)間: 2025-3-24 13:20
https://doi.org/10.1007/978-3-662-00430-2ational. Quite apart from music written to accompany voice or narrative, a good deal of purely instrumental music is acknowledged, often by musicians themselves, to be representational at least in the sense of being expressive of moods and emotions, if not of ideas, narratives or visual impressions.

作者: Flinch 時(shí)間: 2025-3-24 16:15

作者: 評(píng)論者 時(shí)間: 2025-3-24 21:09
,Diskrete Wahrscheinlichkeitsr?ume,rtists work variously to confirm, challenge or overturn. It is these conventions which differentiate art from nature. Art is nevertheless judged by its fidelity to nature, by its truth-telling quality. The term ‘verisimilitude’ identifies the lifelike character of a work of art. But being true to li

作者: endocardium 時(shí)間: 2025-3-25 01:23
,Diskrete Wahrscheinlichkeitsr?ume,life, but frequently they also seek to imitate, draw inspiration from or collaborate with each other. Thus we find not only the play or the novel, but the film of the play or the novel; not only the painting, but the poem about, or the novel inspired by, the painting; and so on. The close connection

作者: 發(fā)微光 時(shí)間: 2025-3-25 03:53
https://doi.org/10.1007/978-3-658-27904-2 lives within it. Three practical functions of art as representation are discussed under the broad headings of celebration, illumination and participation. These practical effects of artistic representation arguably do more to explain the appeal and persistence of the arts than can any number of aes

作者: 法律的瑕疵 時(shí)間: 2025-3-25 09:23
Looking Beyond the Frame, lives within it. Three practical functions of art as representation are discussed under the broad headings of celebration, illumination and participation. These practical effects of artistic representation arguably do more to explain the appeal and persistence of the arts than can any number of aesthetic theories or judgements.

作者: 健談的人 時(shí)間: 2025-3-25 12:50

作者: 投票 時(shí)間: 2025-3-25 17:52

作者: 放逐 時(shí)間: 2025-3-25 21:47
Book 2024bject from the top down, through topics such as the nature of beauty, the meaning of art, aesthetic judgement, and so on. The present book examines the subject from the ground up, so to speak, showing how the creation and appreciation of art spring from innate human needs and capacities. What we cal

作者: 細(xì)微的差異 時(shí)間: 2025-3-26 01:33

作者: 廚房里面 時(shí)間: 2025-3-26 05:59

作者: 競(jìng)選運(yùn)動(dòng) 時(shí)間: 2025-3-26 09:08
One Art After Another,s between the arts are also revealed in the common vocabulary used in the analysis and appreciation of a wide range of artworks. The nature and contexts of art are such that no one art form can escape comparison with others.

作者: Nomogram 時(shí)間: 2025-3-26 15:23

作者: TATE 時(shí)間: 2025-3-26 17:02
,Einführung des Wahrscheinlichkeitsbegriffs,ther than itself. Yet an image is also about itself, in so far as it draws attention to its own design and material composition. People are fascinated by, yet often suspicious of, representational images—images which sometimes seem capable of upstaging their originals.

作者: preservative 時(shí)間: 2025-3-26 21:11