標(biāo)題: Titlebook: ArtsIT, Interactivity and Game Creation; 12th EAI Internation Anthony L. Brooks Conference proceedings 2024 ICST Institute for Computer Sci [打印本頁(yè)] 作者: Inveigle 時(shí)間: 2025-3-21 16:07
書目名稱ArtsIT, Interactivity and Game Creation影響因子(影響力)
書目名稱ArtsIT, Interactivity and Game Creation影響因子(影響力)學(xué)科排名
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書目名稱ArtsIT, Interactivity and Game Creation網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱ArtsIT, Interactivity and Game Creation被引頻次
書目名稱ArtsIT, Interactivity and Game Creation被引頻次學(xué)科排名
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書目名稱ArtsIT, Interactivity and Game Creation年度引用學(xué)科排名
書目名稱ArtsIT, Interactivity and Game Creation讀者反饋
書目名稱ArtsIT, Interactivity and Game Creation讀者反饋學(xué)科排名
作者: 周興旺 時(shí)間: 2025-3-21 20:49 作者: Pseudoephedrine 時(shí)間: 2025-3-22 02:38
Finance and the Behavioral Prospectsystems have also been shown to promote good cognitive and motor rehabilitation results. Nevertheless, there are still few studies joining these things. The aim of this study was to demonstrate the application potential of an Extended Digital Musical Instrument (EDMI), BehCreative, in those areas, f作者: Opponent 時(shí)間: 2025-3-22 07:59 作者: AXIOM 時(shí)間: 2025-3-22 10:17
Palgrave Studies in the History of Financeersive, dialogical, and in nets. In this article we present some research focus of the group referencing two works “De uma Margem a Outra” and “Jardim das Cartas”. Researchers in the areas of dance, music and audio visual have been raising discussions about an “expanded sound body” that stems from t作者: 愉快嗎 時(shí)間: 2025-3-22 16:14
Palgrave Studies in the History of Financedance mediated by technological intervention. In other words, technology isn’t merely used for illustration; it serves as a pivotal catalyst for physicality and aesthetic outcomes. Within this research, we’re considering both virtual and augmented reality, in addition to the metaverse and imagery ge作者: arbovirus 時(shí)間: 2025-3-22 18:45 作者: 脖子 時(shí)間: 2025-3-22 22:25 作者: nascent 時(shí)間: 2025-3-23 04:39 作者: Mri485 時(shí)間: 2025-3-23 06:48
Evaluation Criteria for Investment Decisionsrt of this project, we surveyed the strategies developed by teachers, creators and performers during periods of confinement and identified the possibilities and challenges that cyberperformance brought to the context of the performing arts. Resulting from a collaborative creative process, the experi作者: 漂泊 時(shí)間: 2025-3-23 09:44 作者: abstemious 時(shí)間: 2025-3-23 14:00
https://doi.org/10.1007/978-1-84800-033-9approach to support guitarists in practicing improvisation and creating coherent musical discourses. By simplifying the complex tasks involved in evolving a mechanical gesture and controlling harmonic development, the framework aims to enhance improvisation in the context of contemporary classical m作者: 有法律效應(yīng) 時(shí)間: 2025-3-23 21:25 作者: 受辱 時(shí)間: 2025-3-23 22:42
https://doi.org/10.1007/978-1-84800-033-9 the rapid strides in AI generative models, this project explores the domain of knowledge visualization to portray weather data through a visually captivating representation of Rio de Janeiro’s climate evolution up to the year 2100. The use of prompt engineering over climate models has yielded promi作者: 推遲 時(shí)間: 2025-3-24 03:04 作者: CT-angiography 時(shí)間: 2025-3-24 09:31
Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engihttp://image.papertrans.cn/b/image/162793.jpg作者: floodgate 時(shí)間: 2025-3-24 11:02
https://doi.org/10.1007/978-3-031-55319-6artificial intelligence; computer networks; computer science; computer systems; computer vision; educatio作者: Cultivate 時(shí)間: 2025-3-24 18:26 作者: Irritate 時(shí)間: 2025-3-24 19:40 作者: Expediency 時(shí)間: 2025-3-25 02:20 作者: 全等 時(shí)間: 2025-3-25 07:09 作者: Delirium 時(shí)間: 2025-3-25 08:53
Sound Body as Embodied Poetic Interactionarticipate in the net as an expressive path that is shown in the interactive exploration. Based on interactive practices and on the concept of net, we work methodologically towards a “poetic interaction” in the field of complexity. A fertile ground in which improvisation and composition become coord作者: STALE 時(shí)間: 2025-3-25 14:50
Immersive Dramaturgy. Aesthetic Dance Experiences Embodied Through Virtual Realityramaturgy.” Employing expanded realities has been essential in delving deeper into this form of narrative. The text highlights and deliberates upon the following artistic endeavors: “Itaara” (Hub, Mozilla), “ECOS” (Virtual Reality), and “Em_Corpa” (360-degree video, Augmented Reality).作者: 深陷 時(shí)間: 2025-3-25 17:21 作者: Conscientious 時(shí)間: 2025-3-25 22:36
Bridging Computational Art and Climate Change: An Analysis of a Mobile Application for Raising Awareimate connection between individuals and the realities of climate change, fostering heightened environmental sensibility. By presenting and analyzing the GaiaSenses Project, this article reflects upon the transformative potential of computational creative systems in raising public awareness about cl作者: 削減 時(shí)間: 2025-3-26 02:43 作者: 不斷的變動(dòng) 時(shí)間: 2025-3-26 07:43
Dignitas in the Metaversef two users, one with a hearing disability and the other undergoing gender-affirming therapy..We found that tools for representing their identity fell short of expressing their inherent human dignity. The foundations of the Metaverse are therefore at risk of replicating inaccessibility and excluding作者: ANN 時(shí)間: 2025-3-26 08:40 作者: galley 時(shí)間: 2025-3-26 15:56
Finance and the Behavioral Prospect modifications in the Emobook app and adjustments in the intervention program for seamless integration. Collaborative, interdisciplinary efforts are essential in advancing the incorporation of technology into music therapy practice. This study demonstrates the value of a Participatory Design approac作者: 領(lǐng)巾 時(shí)間: 2025-3-26 19:10
Finance and the Behavioral Prospect of BehCreative on emotional reactions, physical activities, and creative learning, opening avenues for future research and practical applications in the fields of motor learning and human-computer interaction in music therapy and rehabilitation.作者: mastopexy 時(shí)間: 2025-3-26 21:53 作者: 小蟲 時(shí)間: 2025-3-27 04:51 作者: 情感脆弱 時(shí)間: 2025-3-27 06:47 作者: 懶洋洋 時(shí)間: 2025-3-27 11:21 作者: 干旱 時(shí)間: 2025-3-27 14:11 作者: 綁架 時(shí)間: 2025-3-27 19:22
Evaluation Criteria for Investment Decisionsf two users, one with a hearing disability and the other undergoing gender-affirming therapy..We found that tools for representing their identity fell short of expressing their inherent human dignity. The foundations of the Metaverse are therefore at risk of replicating inaccessibility and excluding作者: mitral-valve 時(shí)間: 2025-3-27 23:49 作者: ascetic 時(shí)間: 2025-3-28 05:35
https://doi.org/10.1007/978-1-4614-3244-9pand the accessibility of this interaction between dance, music, and technology in various contexts. The ultimate aim is to bring the research conducted within the university to broader audiences and locations.作者: 尖 時(shí)間: 2025-3-28 09:14
Evaluation Criteria for Investment Decisionstify creative strategies inherent to cyberperformance while adapting Shakespeare‘s character Ophelia to a new medium. Above all, during this process, we were able to identify various technological limitations inherent to the platforms provided by educational institutions when applied to the creation of cyberperformances.作者: 愛(ài)哭 時(shí)間: 2025-3-28 10:36
A Systematic Review of the Technology Available for Data Collection and Assessment in Music Therapyin music therapy. Taking advantage of technological resources for this process seems to be a great opportunity, but the research in this context is insufficient for this moment, so there remains too much work to do.作者: HARP 時(shí)間: 2025-3-28 18:24 作者: Ruptured-Disk 時(shí)間: 2025-3-28 21:21 作者: Constitution 時(shí)間: 2025-3-29 01:45
https://doi.org/10.1007/978-1-84800-033-9cholar Ellen Dissanayake as our theoretical starting point for such an endeavor. It is not in the interest of this work to thoroughly analyze r/place but to present a paradigm for understanding it and possibly further experiments, as well as present the beginnings of our methodology currently developed.作者: BOOST 時(shí)間: 2025-3-29 05:47
Art as an Expanded Field: The Case of the R/Place Social Experimentcholar Ellen Dissanayake as our theoretical starting point for such an endeavor. It is not in the interest of this work to thoroughly analyze r/place but to present a paradigm for understanding it and possibly further experiments, as well as present the beginnings of our methodology currently developed.作者: GLIB 時(shí)間: 2025-3-29 09:47
Conference proceedings 2024e and technology; computational art and the creative process..Part II: alternative realities, immersion experiences, and arts-based research; games; interactive technologies, multimedia, and musical art; human at centre..作者: 冰河期 時(shí)間: 2025-3-29 12:06 作者: 禁令 時(shí)間: 2025-3-29 17:41
1867-8211 ation, ArtsIT 2023 which was held in S?o Paulo, Brazil, in November 27-29, 2023.. The 40 revised full papers and 1 Short paper presented were carefully selected from 103 submissions. The papers are thematically arranged in the following sections:?.Part I: exploring new frontiers in music therapy; ne作者: 諂媚于人 時(shí)間: 2025-3-29 22:14
https://doi.org/10.1007/978-1-84800-033-9tivating representation of Rio de Janeiro’s climate evolution up to the year 2100. The use of prompt engineering over climate models has yielded promising outcomes in image generation, yet challenges remain in ensuring deterministic accuracy in image construction.作者: 小卷發(fā) 時(shí)間: 2025-3-30 00:26
Using Generative Models to?Create a?Visual Description of?Climate Changetivating representation of Rio de Janeiro’s climate evolution up to the year 2100. The use of prompt engineering over climate models has yielded promising outcomes in image generation, yet challenges remain in ensuring deterministic accuracy in image construction.
