作者: 中子 時(shí)間: 2025-3-21 21:51 作者: 空氣 時(shí)間: 2025-3-22 03:00
Language and the Concept of Change: Overview of Leximancer Analysis,sed has received relatively little attention, and that this problematic as it can allow a space for the undisciplined use of language to take place. It holds that critically unchecked language can lead to critically unaware (albeit positively intended) work in applied drama. The chapter presents an 作者: Expostulate 時(shí)間: 2025-3-22 04:44 作者: 離開 時(shí)間: 2025-3-22 10:37
Critical Perspectives on Applied Theatre for Social Change: Defamilarising Key Words in the Field,nderstanding of success and references to change. In exploring the recruitment of these themes in 139 documents related to applied theatre, there emerged a repetition of key discourses?– social justice, community, education, and participation. The repetition suggests orthodoxy in certain ways of thi作者: BANAL 時(shí)間: 2025-3-22 13:37 作者: Dysarthria 時(shí)間: 2025-3-22 19:52
Change and Continuity in Applied Theatre: Lessons Learnt from ‘the Longest Night’y, I discuss the tensions that exist between the rhetoric of social change and outcomes for participants in applied theatre projects. In particular, I draw on findings from a longitudinal study of an exemplary Australian applied theatre project, The Longest Night. This study revealed that, though pa作者: Monocle 時(shí)間: 2025-3-22 23:19
In the Interstice of Intension and Intention of Transformation: Where Applied Theatre Fosters Neolibg the NGOs operating here that donor funding will dry up by 2021 when the country is expected to achieve ‘middle-income’ status. BRAC (Building Resources Across Communities), the largest NGO in the world measured by the number of employees and of people it has helped, is geared up in meeting this ch作者: 蔑視 時(shí)間: 2025-3-23 02:00 作者: ABHOR 時(shí)間: 2025-3-23 06:11 作者: Biomarker 時(shí)間: 2025-3-23 11:28 作者: objection 時(shí)間: 2025-3-23 15:52 作者: anniversary 時(shí)間: 2025-3-23 21:14 作者: Blood-Clot 時(shí)間: 2025-3-23 22:53 作者: 抗原 時(shí)間: 2025-3-24 04:49 作者: 雜役 時(shí)間: 2025-3-24 06:38 作者: 勾引 時(shí)間: 2025-3-24 12:48 作者: 故意釣到白楊 時(shí)間: 2025-3-24 16:12 作者: 行為 時(shí)間: 2025-3-24 19:35
https://doi.org/10.1007/3-7985-1556-5 this is because this set of practices indirectly limits change as practitioners operate within a system that tends to contain their practice, product and impact, as well as reproduce legitimised social and cultural values and norms.作者: 老巫婆 時(shí)間: 2025-3-25 00:42
What Is Applied Theatre Good for? Exploring the Notions of Success, Intent and Impact,d discussion about the effect of different perspectives and practices. This chapter also outlines the purpose, methodological approach and informing principles of the research from which the first half of this book has emerged and previews the diverse perspectives presented in chapters throughout the book.作者: Epithelium 時(shí)間: 2025-3-25 03:32 作者: 價(jià)值在貶值 時(shí)間: 2025-3-25 09:30 作者: patella 時(shí)間: 2025-3-25 13:25 作者: Condescending 時(shí)間: 2025-3-25 18:43 作者: 形容詞詞尾 時(shí)間: 2025-3-25 21:02
Bottom’s Dream s a necessary precondition for transformation. This analysis will involve a consideration of the effect of character upon actor, alongside exploration of the relationship between disguise and identity. In the liminal space of performance anything goes. But does anything stay?作者: voluble 時(shí)間: 2025-3-26 01:10 作者: Lucubrate 時(shí)間: 2025-3-26 07:00 作者: 文件夾 時(shí)間: 2025-3-26 12:25
Epilepsie, Schwangerschaft und Fertilit?theatre project,?., designed to provide a forum for children to understand and respond to family violence and child abuse. We present a case study of adapting this project to work with vulnerable children to inform policy on placing children in care. The chapter is presented as a script, co-created with the children.作者: 可能性 時(shí)間: 2025-3-26 15:24 作者: critic 時(shí)間: 2025-3-26 17:49
Hearing Children’s Voices: Is Anyone Listening?heatre project,?., designed to provide a forum for children to understand and respond to family violence and child abuse. We present a case study of adapting this project to work with vulnerable children to inform policy on placing children in care. The chapter is presented as a script, co-created with the children.作者: Parallel 時(shí)間: 2025-3-26 23:11 作者: aerobic 時(shí)間: 2025-3-27 02:36
,Flüge nach Westen mit ?Zeitgewinn“,this end, we aim to attend to the long intellectual legacy of the concept that the arts have an impact socially on communities and audiences. Despite the breadth and growth of applied theatre practice in the last two decades, Kershaw notes that “applied theatre, community performance and related for作者: 不持續(xù)就爆 時(shí)間: 2025-3-27 06:16
,Flüge nach Osten mit ?Zeitverlust“,sed has received relatively little attention, and that this problematic as it can allow a space for the undisciplined use of language to take place. It holds that critically unchecked language can lead to critically unaware (albeit positively intended) work in applied drama. The chapter presents an 作者: Ondines-curse 時(shí)間: 2025-3-27 13:15
Epilepsie und verwandte Krankheiten,ss and impact were evident, and the ways they were used, in 139 documents about applied theatre. Our aim in this chapter is to develop a sense of how the documents assembled and recruited change as an understandable, usable or knowable concept related applied theatre. To achieve this, we explore how作者: Herpetologist 時(shí)間: 2025-3-27 16:55
E. Braun,R. Cassirer,S. A. Kinnier Wilsonnderstanding of success and references to change. In exploring the recruitment of these themes in 139 documents related to applied theatre, there emerged a repetition of key discourses?– social justice, community, education, and participation. The repetition suggests orthodoxy in certain ways of thi作者: obstinate 時(shí)間: 2025-3-27 19:10
https://doi.org/10.1007/3-7985-1556-5tioners need to be able to demonstrate that projects have achieved their stated goals. Often, this leads to evaluation discourse steeped in, as Frankfurt puts it, “bullshit” (. Princeton: Princeton University Press, .), as practitioners articulate goals that are vague and/or abstract, eliding the pr作者: FILTH 時(shí)間: 2025-3-27 22:06
https://doi.org/10.1007/3-7985-1556-5y, I discuss the tensions that exist between the rhetoric of social change and outcomes for participants in applied theatre projects. In particular, I draw on findings from a longitudinal study of an exemplary Australian applied theatre project, The Longest Night. This study revealed that, though pa作者: 遺傳學(xué) 時(shí)間: 2025-3-28 04:35
Entbindung und postpartale Phase,g the NGOs operating here that donor funding will dry up by 2021 when the country is expected to achieve ‘middle-income’ status. BRAC (Building Resources Across Communities), the largest NGO in the world measured by the number of employees and of people it has helped, is geared up in meeting this ch作者: 古董 時(shí)間: 2025-3-28 07:10 作者: JEER 時(shí)間: 2025-3-28 14:30
https://doi.org/10.1007/3-7985-1556-5rickster or shape-shifter has exploited transformation in the cause of change, it will proceed to analyse the specifically theatrical modes of transformation, and the challenges associated with sustaining these beyond the moment of performance. Moving from anthropology and myth to performance, the c作者: 率直 時(shí)間: 2025-3-28 18:06 作者: 歡樂中國 時(shí)間: 2025-3-28 19:28 作者: 搜集 時(shí)間: 2025-3-28 23:03 作者: 脫離 時(shí)間: 2025-3-29 04:02 作者: JECT 時(shí)間: 2025-3-29 11:03 作者: LITHE 時(shí)間: 2025-3-29 13:16
Kelly Freebody,Michael Balfour,Michael AndersonProvides an accessible understanding of the relationship between Applied Theatre and intent, success, and value.Offers a variety of perspectives on this relationship through chapters authored by key p
