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標(biāo)題: Titlebook: Women, Camp, and Popular Culture; Serious Excess Katrin Horn Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 contemporary po [打印本頁]

作者: MAXIM    時(shí)間: 2025-3-21 16:50
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作者: seruting    時(shí)間: 2025-3-21 23:13
Katrin Horns a learning environment for computer science is explained by the fact that it enables learners to explore their problem-solving strategies, to express their solutions to a given problem, to get feedback regarding to the correctness of their solution and to reflect on it, to develop large projects,
作者: Assault    時(shí)間: 2025-3-22 00:56
er preparation program and proposes six perspectives at the course organization. It is emphasized, however, that different approaches and frameworks can be applied when one designs the MTCS course. The first organization approach we present expresses an innovative organization methodology for the MT
作者: jettison    時(shí)間: 2025-3-22 04:59
,Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures,pular culture in a manner that allows for emotional investment and critical distance simultaneously. The chapter ends with overviews of subsequent readings of post-New Queer Cinema films, ., and Lady Gaga as examples of camp in contemporary popular culture.
作者: CREEK    時(shí)間: 2025-3-22 10:49

作者: Hyperplasia    時(shí)間: 2025-3-22 15:16
The Great Dyke Rewrite: Lesbian Camp on the Big Screen,cinema and minor lesbian cinema’s “unpleasure.” As a result, Horn’s readings establish both films as crucial examples of popular culture’s ongoing “Great Dyke Rewrite,” which B. Ruby Rich attested to New Queer Cinema’s lesbian contributions.
作者: chalice    時(shí)間: 2025-3-22 19:55
Taking Pop Seriously: Lady Gaga as Camp,re in Gaga’s construction of critique. Her in-depth analysis of . demonstrates the sincere quality of the artist’s extreme theatricality, and explains how Gaga eventually transforms camp into grotesque to disrupt normative modes of representation.
作者: 幻想    時(shí)間: 2025-3-23 00:11

作者: 歌曲    時(shí)間: 2025-3-23 02:18

作者: Sputum    時(shí)間: 2025-3-23 09:01

作者: occult    時(shí)間: 2025-3-23 10:29
r music, the book offers a novel take on its subject. It defines camp as a unique mode of detached attachment, which builds on affective intensity and emotional investment, while strongly encouraging a critical edge.. . .978-3-319-87885-0978-3-319-64846-0
作者: 嚙齒動(dòng)物    時(shí)間: 2025-3-23 15:22
,Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures,onent and largely ignored female agents, while foregrounding its “frivolous” aesthetics and gay male audiences. To re-establish camp’s critical edge, this introduction draws on foundational texts of camp scholarship from Sontag and Isherwood and connects them to recent theoretical interventions in q
作者: 長(zhǎng)處    時(shí)間: 2025-3-23 19:36

作者: 吊胃口    時(shí)間: 2025-3-23 23:20

作者: 功多汁水    時(shí)間: 2025-3-24 04:32

作者: 陳腐思想    時(shí)間: 2025-3-24 08:52

作者: 強(qiáng)化    時(shí)間: 2025-3-24 13:50

作者: carotenoids    時(shí)間: 2025-3-24 18:09
Book 201730 Rock. or Lady Gaga. In detailed analyses of lesbian cinema, postfeminist TV, and popular music, the book offers a novel take on its subject. It defines camp as a unique mode of detached attachment, which builds on affective intensity and emotional investment, while strongly encouraging a critical
作者: Patrimony    時(shí)間: 2025-3-24 20:49

作者: 粗鄙的人    時(shí)間: 2025-3-25 01:38

作者: 大氣層    時(shí)間: 2025-3-25 04:55

作者: Hormones    時(shí)間: 2025-3-25 08:19

作者: 綁架    時(shí)間: 2025-3-25 14:34
Book 201730 Rock. or Lady Gaga. In detailed analyses of lesbian cinema, postfeminist TV, and popular music, the book offers a novel take on its subject. It defines camp as a unique mode of detached attachment, which builds on affective intensity and emotional investment, while strongly encouraging a critical edge.. . .
作者: 俗艷    時(shí)間: 2025-3-25 17:01

作者: 反復(fù)拉緊    時(shí)間: 2025-3-25 23:04
Katrin Hornence in the computer lab is not limited to programming tasks; rather, the computer lab can be used in additional pedagogical ways that further enhance learners’ understanding of computer science. Specifically, the following topics are addressed in this chapter: what is a computer lab?, the lab-first
作者: 極為憤怒    時(shí)間: 2025-3-26 01:56

作者: jaunty    時(shí)間: 2025-3-26 08:21

作者: breadth    時(shí)間: 2025-3-26 09:02

作者: impale    時(shí)間: 2025-3-26 13:26

作者: Allowance    時(shí)間: 2025-3-26 18:50
From Conducting Polymers to Carbon Nanotubes: New Horizons in Plastic Microelectronics and Carbon Nanoelectronicsl devices, however, these materials often need to be aligned and/or patterned at micro-/nano-scales. In this chapter, we present an overview of various patterning techniques used for the development of conducting polymer (plastic) microelectronics and nanoelectronics based on . . and carbon nanotubes.
作者: 種族被根除    時(shí)間: 2025-3-27 00:56

作者: 割讓    時(shí)間: 2025-3-27 02:07
Effectiveness of phytoplankton control by large-bodied and small-bodied zooplanktonith an increase in net phytoplankton abundance, biomanipulation could not be successful without introducing or maintaining a high population of large-bodied cladoceran species before high densities of large algae would make the control of phytoplankton inefficient.
作者: dilute    時(shí)間: 2025-3-27 07:08
J. Heckman,T. MaCurdy based on a theoretical discussion on the identification and prevalence of common mental health problems experienced by university students across the globe, the causes of their mental health problems and what universities should do to support and prevent students who experience mental health diffic
作者: 忍耐    時(shí)間: 2025-3-27 10:07

作者: 極大痛苦    時(shí)間: 2025-3-27 15:23
Stoffaustausch zwischen zwei fluiden Phasenrandungen der Fall ist. Die Geschwindigkeit an der Phasengrenze ihrerseits übt einen starken Einfluss auf die Energie- und Stofftransportprozesse aus und muss in den entsprechenden mathematischen Modellans?tzen oder Berechnungen berücksichtigt werden.
作者: BROW    時(shí)間: 2025-3-27 21:09

作者: laxative    時(shí)間: 2025-3-27 22:25

作者: Allodynia    時(shí)間: 2025-3-28 02:38





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